A work in constant progress (and occasional regress).
Peter Howell (born 1949) is a musician and composer. He is best known for his work on Doctor Who as a member of the BBC Radiophonic Workshop. Howell's musical career began in the late 1960s working with John Ferdinando in various psychedelic folk bands including Agincourt and Ithaca. Howell and Ferdinando recorded five albums before Howell became a member of the Radiophonic Workshop, with which he would remain associated until 1997. His work on Doctor Who began in 1975 when he provided some accompanying incidental music for Revenge of the Cybermen and special sound for Planet of Evil. When John Nathan-Turner became producer of Doctor Who in 1980, he decided that the music needed to be updated and commissioned Howell to provide a new arrangement of the Doctor Who theme to accompany a new title sequence. Howell's new arrangement first appeared in 1980 on The Leisure Hive, for which Howell had also recorded the incidental score, and was used throughout Tom Baker's final season on the programme as well as Peter Davison's tenure as the Doctor and Colin Baker's first season. Between 1980 and 1985 Howell also provided incidental music for ten stories of Doctor Who. In 1986, Nathan-Turner commissioned a new theme arrangement by Dominic Glynn, ending Howell's association with Doctor Who on television. Since 2013 he has been part of the Radiophonic Workshop Band, touring the UK and abroad with Radiophonic archivist Mark Ayres and other former members of the Workshop. In 2021, Howell published his autobiography Radiophonic Times via Obverse Books.
Music:
1969 Tomorrow Come Someday
1985 Doctor Who: The Two Doctors
1986 Double Image
1990 Agatha Christie - Unfinished Portrait
2013 Doctor Who at the Proms
Original Music Composer:
1969 Tomorrow Come Someday
1975 Doctor Who: Revenge of the Cybermen
1980 Doctor Who: Meglos
1980 Doctor Who: The Leisure Hive
1981 Doctor Who: Warriors' Gate
1981 K-9 and Company: A Girl's Best Friend
1982 Doctor Who: Kinda
1983 Doctor Who: The Five Doctors
1984 Doctor Who: Planet of Fire
1985 Doctor Who: The Two Doctors
1986 Double Image
1990 Agatha Christie - Unfinished Portrait
1999 Doctor Who: The Curse of Fatal Death
2013 Doctor Who at the Proms
Sound:
1969 Tomorrow Come Someday
1975 Doctor Who: Revenge of the Cybermen
1980 Doctor Who: Meglos
1980 Doctor Who: The Leisure Hive
1981 Doctor Who: Warriors' Gate
1981 K-9 and Company: A Girl's Best Friend
1982 Doctor Who: Kinda
1983 Doctor Who: The Five Doctors
1984 Doctor Who: Planet of Fire
1985 Doctor Who: The Two Doctors
1986 Double Image
1990 Agatha Christie - Unfinished Portrait
1999 Doctor Who: The Curse of Fatal Death
2013 Doctor Who at the Proms
2015 Dames of Classic Drama at the BBC
Theme Song Performance:
1969 Tomorrow Come Someday
1975 Doctor Who: Revenge of the Cybermen
1980 Doctor Who: Meglos
1980 Doctor Who: The Leisure Hive
1981 Doctor Who: Warriors' Gate
1981 K-9 and Company: A Girl's Best Friend
1982 Doctor Who: Kinda
1983 Doctor Who: Mawdryn Undead
1983 Doctor Who: Terminus
1983 Doctor Who: The Five Doctors
1984 Doctor Who: Planet of Fire
1984 Doctor Who: Resurrection of the Daleks
1984 Doctor Who: The Wrath of Eukor
1985 Doctor Who: The Two Doctors
1986 Double Image
1990 Agatha Christie - Unfinished Portrait
1999 Doctor Who: The Curse of Fatal Death
2013 Doctor Who at the Proms
2015 Dames of Classic Drama at the BBC
Music:
1996 The Ultimate Guide
Original Music Composer:
1991 The Dream Machine
1996 The Ultimate Guide
Theme Song Performance:
1963 Doctor Who
1991 The Dream Machine
1996 The Ultimate Guide
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.