A work in constant progress (and occasional regress).
Birthplace:
Belgrade, Yugoslavia
Born:
April 2, 1929
Died:
October 28, 2000
Camera Operator:
1994 Vukovar Poste Restante
Cinematography:
1994 Vukovar Poste Restante
2002 The State of the Dead
Dialogue:
1972 The Colonel's Wife
1994 Vukovar Poste Restante
2002 The State of the Dead
Director:
1972 The Colonel's Wife
1978 Aller retour
1980 The Outlaw
1985 Wild Wind
1994 Vukovar Poste Restante
2002 The State of the Dead
Director of Photography:
1957 Anthony's Broken Mirror
1960 The Wall
1962 Parade
1963 Days
1963 The City
1964 The Traitor
1965 Man Is Not a Bird
1965 Shoot and It Shall Open
1965 The Enemy
1966 The Return
1967 Love Affair, or the Case of the Missing Switchboard Operator
1967 The Feast
1968 Before the Truth
1968 The Trek
1970 Natural Boundaries
1971 The Scene of the Crash
1971 WR: Mysteries of the Organism
1972 The Colonel's Wife
1976 The Beach Guard in Winter
1978 Aller retour
1980 The Outlaw
1985 Wild Wind
1993 Gorilla Bathes at Noon
1994 Vukovar Poste Restante
1995 Third Time Lucky
2002 The State of the Dead
Writer:
1957 Anthony's Broken Mirror
1960 The Wall
1962 Parade
1963 Days
1963 The City
1964 The Traitor
1965 Man Is Not a Bird
1965 Shoot and It Shall Open
1965 The Enemy
1966 The Return
1967 Love Affair, or the Case of the Missing Switchboard Operator
1967 The Feast
1968 Before the Truth
1968 The Trek
1970 Natural Boundaries
1971 The Scene of the Crash
1971 WR: Mysteries of the Organism
1972 The Colonel's Wife
1976 The Beach Guard in Winter
1978 Aller retour
1980 The Outlaw
1985 Wild Wind
1993 Gorilla Bathes at Noon
1994 Vukovar Poste Restante
1995 Third Time Lucky
2002 The State of the Dead
Director of Photography:
1987 Vuk Karadzic
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.