Maria Farantouri (b. 1947)

Birthplace:
Athens, Greece

Born:
November 28, 1947

Maria Farantouri or Farandouri (Greek: Μαρία Φαραντούρη; born 28 November 1947 in Athens) is a Greek singer and also a political and cultural activist. She has collaborated with Greek composers such as Mikis Theodorakis, who wrote the score for Pablo Neruda's Canto General, which Farantouri performed all over the world.  During the Greek military junta of 1967–1974, Maria Farantouri recorded protest songs in Europe with Mikis Theodorakis. In 1971, she recorded Songs and Guitar Pieces by Theodorakis with Australian guitarist John Williams which included seven poems by Federico García Lorca. She has recorded songs in Spanish ('Hasta Siempre Comandante Che Guevara'), Italian, and English ("Joe Hill" and Elisabeth Hauptmann's Alabama Song from Bertolt Brecht's Rise and Fall of the City of Mahagonny), George Gershwin's works, as well as works by Greek composers Manos Hatzidakis, Eleni Karaindrou and Vangelis.  Her voice is contralto with two octaves. The international press called her a people's Callas (The Daily Telegraph), and the Joan Baez of the Mediterranean (Le Monde).  Maria Farantouri was an elected member of the Greek Parliament from 1989 to 1993 representing the Panhellenic Socialist Movement (PASOK). She is married to the poet and former politician Tilemachos Chytiris.  On 23 September 2004, the President of the Hellenic Republic recognized the contribution of Maria Farantouri to Greek song, awarding her the Gold Cross of the Order of the Phoenix. She was awarded the Premio Tenco Italian Award 2014 for her contribution to international contemporary and traditional music, and the Spanish LiberPress 2017.  Source: Article "Maria Farantouri" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Songs:
1971  The Trojan Women
1975  Evidence

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.