Bruce Chatwin (1940-1989)

Birthplace:
Sheffield, South Yorkshire, England, UK

Born:
May 13, 1940

Died:
January 18, 1989

Charles Bruce Chatwin (13 May 1940 – 18 January 1989) was an English travel writer, novelist and journalist. His first book, "In Patagonia" (1977), established Chatwin as a travel writer, although he considered himself instead a storyteller, interested in bringing to light unusual tales. He won the James Tait Black Memorial Prize for his novel "On the Black Hill" (1982), while his novel "Utz" (1988) was shortlisted for the Man Booker Prize. In 2008 The Times ranked Chatwin as number 46 on their list of "50 Greatest British Writers Since 1945."  Chatwin was born in Sheffield, England. After completing his secondary education at Marlborough College, he went to work at the age of 18 at Sotheby's in London, where he gained an extensive knowledge of art and eventually ran the auction house's Antiquities and Impressionist Art departments. In 1966 he left Sotheby's to read archaeology at the University of Edinburgh, but he abandoned his studies after two years to pursue a career as a writer.  The Sunday Times Magazine hired Chatwin in 1972. He travelled the world for work and interviewed figures such as the politicians Indira Gandhi and André Malraux. He left the magazine in 1974 to visit Patagonia, Argentina; a trip that inspired his first book. He wrote five other books, including "The Songlines" (1987), about Australia, which was a bestseller. His work is credited with reviving the genre of travel writing, and his works influenced other writers such as William Dalrymple, Claudio Magris, Philip Marsden, Luis Sepúlveda, and Rory Stewart.  Description above from the Wikipedia article Bruce Chatwin, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


Novel:
1987  Cobra Verde
1988  On the Black Hill
1992  Utz

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.