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Sarah Sanderson

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Biography from TheMovieDB

After graduating with a BSc in Psychology, Sarah followed her primary passion, the Arts.  After working on various film, theatre and stop motion animation projects with artists from Germany (for example ATON from Munich), she was accepted for the MA Performance Design and Practice at Central Saint Martins, University of the Arts, London.  She has since developed several performances, set and stage designs within UAL and for external companies, such as Footfall Theatre, GQ Magazine, and the BBC, among others.  In 2015 she lived and worked in Andalucia for three months as part of the production team Performance Factory. Their immersive experience Ba°bel was widely renowned and gained them their Master's degree one year ahead of schedule. On the 28th of May, 2016 her first performance design solo exhibition [nyctophilia], displaying set, costume and prop designs, premiered at Stour Space, London.

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Film Production

Production Design:
2016  Home Education

Set Decorating Coordinator:
2016  Home Education
2022  Jurassic World Dominion

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.