A work in constant progress (and occasional regress).
Alias:
Leonid Moguilewsky
Leonid Mohylevskyi
Leonide Moguy
Леонид Могай
Леонид Могилевский
Леонід Могилевський
Birthplace:
Saint Petersburg, Russian Empire [now Russia]
Born:
July 14, 1899
Died:
April 21, 1976
Léonide Moguy (14 July 1899 – 21 April 1976) was a Ukrainian, French and Italian film director, screenwriter and film editor. Moguy was born Leonid Mohylevskyi (Леонід Могилевський) in Odesa, Russian Empire in 1899 in a Jewish family. He lived in Soviet Ukraine until 1929, in the United States in the 1940s, and in Italy from 1949 until his death. He was active in film between 1927 and 1961. His work has influenced American director Quentin Tarantino, who discovered him while writing the script for Inglourious Basterds, and named a character after him in Django Unchained. Mohylevskyi was born in Odesa in a family of a merchandise worker. During World War I, he was a soldier of the 51st Lithuanian infantry regiment of the Imperial Russian Army in Simferopol. After the war, he was a medical student and worked part-time at the film studio of Dmytro Kharytonov who came from Moscow to Odesa. Mohylevskyi did not become a doctor, however, graduating from Odesa Institute of National Economy in 1924, he became a lawyer. Soon, he was invited to work as a VUFKU legal advisor at Odesa Film Studio. Mohylevskyi showed interest not only in the letter of the law, but also in laws and principles of film editing as he assisted the director Mykola Saltykov. In 1927, Mohylevskyi was the head of the Newsreel Department VUFKU, was a colleague of Dziga Vertov and Mikhail Kaufman. Together with Oleksandr Dovzhenko he initiated the creation of the first library of Ukrainian films. The department headed by Mohylevskyi began to issue Kinotyzhden, and later, Kinozhurnal VUFKU, a collection of fresh newsreels, “timely and urgent,” that became nearly the only source of news at that time. Then, Mohylevskyi made two mashup films, How It Was (1927) and Documents of the Era (1928), in collaboration with the director Ya. Habovych. The latter was the most popular VUFKU mashup film based on 150,000 meters of newsreels dating back to 1917-1922. Leonid Mohylevskyi used archive materials (“some positive fragments” and pre-revolutionary “rubbish”) stored in VUFKU archives or bought from other film studios or private persons as the basis for his film. An active member of the society Friends of Soviet Cinema, Mohylevskyi edited 16 short films for them, such as Now! and Peak ticket (Піковий квиток) filmed by amateur Experimental Film Studio headed by Hlib Zatvornytskyi. He moved to France and developed a reputation as a "play doctor" of films. He started directing and had a hit with 40 Little Mothers. Moguy moved to Hollywood in 1940. He made the film The Night is Ending (1943) at 20th Century Fox. He stayed at Fox to make Paris After Dark then went to RKO to make Action in Arabia. He was meant to follow Action in Arabia with Experiment Perilous with Paul Henreid at RKO but the film was not made. Instead he made Whistle Stop for United Artists. "I didn't do the pictures I wanted to", he later said of this time. Moguy returned to France where he made Bethsabee (1947). In 1947 he announced he would direct the first Belgian-Hollywood co production, New York's Origin, a story of the Belgian refugees who established New York. The film was not made. ... Source: Article "Léonide Moguy" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Adaptation:
1938 Prison Without Bars
Assistant Director:
1935 Baccara
1938 Prison Without Bars
Associate Producer:
1935 Baccara
1938 Prison Without Bars
1950 Tomorrow Is Too Late
Director:
1928 Documents of the Era
1935 Baccara
1936 Forty Little Mothers
1938 Conflit
1938 Prison Without Bars
1939 The Deserter
1940 Two Women
1943 Paris After Dark
1944 Action in Arabia
1946 Whistle Stop
1947 Bethsabée
1950 Tomorrow Is Too Late
1951 Domani è un altro giorno
1953 Children of Love
1956 Le Long des trottoirs
1957 Give Me My Chance
1961 Man Wants to Live
Director of Photography:
1928 Documents of the Era
1935 Baccara
1935 Divine
1936 Forty Little Mothers
1938 Conflit
1938 Prison Without Bars
1939 The Deserter
1940 Two Women
1943 Paris After Dark
1944 Action in Arabia
1946 Whistle Stop
1947 Bethsabée
1950 Tomorrow Is Too Late
1951 Domani è un altro giorno
1953 Children of Love
1956 Le Long des trottoirs
1957 Give Me My Chance
1961 Man Wants to Live
Editor:
1928 Documents of the Era
1933 Theodore and Company
1935 Baccara
1935 Divine
1936 Forty Little Mothers
1938 Conflit
1938 Prison Without Bars
1939 The Deserter
1940 Two Women
1943 Paris After Dark
1944 Action in Arabia
1946 Whistle Stop
1947 Bethsabée
1950 Tomorrow Is Too Late
1951 Domani è un altro giorno
1953 Children of Love
1956 Le Long des trottoirs
1957 Give Me My Chance
1961 Man Wants to Live
Original Story:
1928 Documents of the Era
1933 Theodore and Company
1935 Baccara
1935 Divine
1936 Forty Little Mothers
1938 Conflit
1938 Prison Without Bars
1939 The Deserter
1940 Two Women
1942 El gran secreto
1943 Paris After Dark
1944 Action in Arabia
1946 Whistle Stop
1947 Bethsabée
1950 Tomorrow Is Too Late
1951 Domani è un altro giorno
1953 Children of Love
1956 Le Long des trottoirs
1957 Give Me My Chance
1961 Man Wants to Live
Producer:
1928 Documents of the Era
1933 Theodore and Company
1935 Baccara
1935 Divine
1936 Forty Little Mothers
1938 Conflit
1938 Prison Without Bars
1939 The Deserter
1940 Two Women
1942 El gran secreto
1943 Paris After Dark
1944 Action in Arabia
1946 Whistle Stop
1947 Bethsabée
1950 Tomorrow Is Too Late
1951 Domani è un altro giorno
1952 100 Little Mothers
1953 Children of Love
1956 Le Long des trottoirs
1957 Give Me My Chance
1961 Man Wants to Live
Scenario Writer:
1928 Documents of the Era
1933 Theodore and Company
1935 Baccara
1935 Divine
1936 Forty Little Mothers
1938 Conflit
1938 Prison Without Bars
1939 The Deserter
1940 Two Women
1942 El gran secreto
1943 Paris After Dark
1944 Action in Arabia
1946 Whistle Stop
1947 Bethsabée
1950 Tomorrow Is Too Late
1951 Domani è un altro giorno
1952 100 Little Mothers
1953 Children of Love
1956 Le Long des trottoirs
1957 Give Me My Chance
1961 Man Wants to Live
Screenplay:
1928 Documents of the Era
1933 Theodore and Company
1935 Baccara
1935 Divine
1936 Forty Little Mothers
1938 Conflit
1938 Prison Without Bars
1939 The Deserter
1940 Two Women
1942 El gran secreto
1943 Paris After Dark
1944 Action in Arabia
1946 Whistle Stop
1947 Bethsabée
1950 Tomorrow Is Too Late
1951 Domani è un altro giorno
1952 100 Little Mothers
1953 Children of Love
1956 Le Long des trottoirs
1957 Give Me My Chance
1961 Man Wants to Live
Story:
1928 Documents of the Era
1933 Theodore and Company
1935 Baccara
1935 Divine
1936 Forty Little Mothers
1938 Conflit
1938 Prison Without Bars
1939 The Deserter
1940 Two Women
1942 El gran secreto
1943 Paris After Dark
1944 Action in Arabia
1946 Whistle Stop
1947 Bethsabée
1950 Tomorrow Is Too Late
1951 Domani è un altro giorno
1952 100 Little Mothers
1953 Children of Love
1956 Le Long des trottoirs
1957 Give Me My Chance
1961 Man Wants to Live
Supervising Art Director:
1928 Documents of the Era
1933 Theodore and Company
1935 Baccara
1935 Divine
1936 Forty Little Mothers
1938 Conflit
1938 Prison Without Bars
1939 The Deserter
1940 Two Women
1942 El gran secreto
1943 Paris After Dark
1944 Action in Arabia
1946 Whistle Stop
1947 Bethsabée
1950 Tomorrow Is Too Late
1951 Domani è un altro giorno
1952 100 Little Mothers
1953 Children of Love
1956 Le Long des trottoirs
1957 Give Me My Chance
1961 Man Wants to Live
Writer:
1928 Documents of the Era
1933 Theodore and Company
1935 Baccara
1935 Divine
1936 Forty Little Mothers
1938 Conflit
1938 Prison Without Bars
1939 The Deserter
1940 Two Women
1942 El gran secreto
1943 Paris After Dark
1944 Action in Arabia
1946 Whistle Stop
1947 Bethsabée
1950 Tomorrow Is Too Late
1951 Domani è un altro giorno
1952 100 Little Mothers
1953 Children of Love
1956 Le Long des trottoirs
1957 Give Me My Chance
1961 Man Wants to Live
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.