A work in constant progress (and occasional regress).
Alias:
Emil Horváth ml.
Birthplace:
Nitra, Slovakia
Born:
November 12, 1945
prof. Emil Horváth (* November 12, 1945, Nitra) is a Slovak actor, director and theater teacher. Son of actor Emil Jozef Horváth, husband of actress Viera Richterová. He graduated in acting at the Academy of Performing Arts in Bratislava in 1968. He was a member of the SNP Theater in Martin (1968 - 1976), then the New Stage in Bratislava (1976 - 1983). Since 1983, he has been a member of the Drama of the Slovak National Theater, where he has played a number of characters. In recent years, she has also directed (Caligula, Theatrical Comedy, Crazy Day, The Fourth Sister). As a director, he is also a guest at the West Theater in Bratislava (You Still Have Me, Darling, Inspector Drake and Perfect Crime), at the Andrej Bagar Theater in Nitra (… and I'm also a loser, Sylvia) and the State Theater Košice (Jožko Púčik and his career). He has starred in many films and television productions (Demeter, How Vinco Caught) and series (American Tragedy, 30 cases of Major Zeman). He co-directed two television films Still Two Farce… (1998) and The Torturous Secret (1999). He lectures on acting at the Academy of Performing Arts in Prague, where he obtained the title of professor in 2005. Since May 2011, he has been the director of the SND drama. His son Tomáš is a literary scientist, writer and translator. In 2005, the President of the Slovak Republic awarded him the Council of Ľudovít Štúr II. class for significant merits in the field of cultural development.
Director:
1994 Dvadsaťštyri hodín zo života istej ženy
1998 A ešte dve frašky...
1999 Mučivé tajomstvo
Screenplay:
1994 Dvadsaťštyri hodín zo života istej ženy
1998 A ešte dve frašky...
1999 Mučivé tajomstvo
Writer:
1994 Dvadsaťštyri hodín zo života istej ženy
1998 A ešte dve frašky...
1999 Mučivé tajomstvo
Director:
2010 Nesmrteľní
Screenplay:
2010 Nesmrteľní
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.