Jesús Gluck

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Conductor:
1977  Asignatura pendiente

Music:
1977  Asignatura pendiente
1978  Alone in the Dark
1978  El hombre que yo quiero
1978  The Last Party
1979  Visanteta, estáte quieta
1982  Las trampas del matrimonio
1982  Le llamaban J.R.
1982  Si las mujeres mandaran (o mandasen)
1984  Double Feature
1987  Course Completed
1988  El último guateque II
1996  El gabinete del doctor Armengot
1996  Mujer con violetas
2002  El florido pensil

Musical Casting:
1977  Asignatura pendiente
1978  Alone in the Dark
1978  El hombre que yo quiero
1978  The Last Party
1979  Visanteta, estáte quieta
1982  Las trampas del matrimonio
1982  Le llamaban J.R.
1982  Si las mujeres mandaran (o mandasen)
1982  To Begin Again
1984  Double Feature
1987  Course Completed
1988  El último guateque II
1996  El gabinete del doctor Armengot
1996  Mujer con violetas
2002  El florido pensil

Original Music Composer:
1977  Asignatura pendiente
1978  Alone in the Dark
1978  El hombre que yo quiero
1978  The Last Party
1979  Visanteta, estáte quieta
1981  El crack
1982  Las trampas del matrimonio
1982  Le llamaban J.R.
1982  Si las mujeres mandaran (o mandasen)
1982  To Begin Again
1983  El crack dos
1984  Double Feature
1987  Course Completed
1987  Redondela
1988  El último guateque II
1988  Mnemos
1991  El sueño
1991  Semiosis
1996  El gabinete del doctor Armengot
1996  Eternamente
1996  Luciérnagas
1996  Mujer con violetas
1996  Regalo de Navidad
2002  El florido pensil
2019  The Crack: Inception

Original Music Composer:
1988  Historias del otro lado

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.