A work in constant progress (and occasional regress).
Alias:
Катарина Вашконселуш
Birthplace:
Lisbon, Portugal
Born:
January 1, 1986
Catarina Vasconcelos was born in Lisbon, 1986. After graduating from Lisbon’s Fine Arts Academy, she moved to London where she pursued a MA at the Royal College of Art. Her final project, the short film “Metáfora ou a Tristeza Virada do Avesso” (Metaphor or Sadness inside out), was her first film. “Metáfora” premiered at Cinema du Reel in 2014 where it was awarded the prize for the Best International Short Film. The film was screened in various festivals such as RIDM - Montreal International Documentary Festival (Best international medium length award), DokLeipzig, Moscow International Film Festival and Doclisboa. Her first feature film, “A Metamorfose dos Pássaros” (The Metamorphosis of Birds”) had its premiere at the Encounters section at the Berlinale 2020.
Art Direction:
2021 The Metamorphosis of Birds
Director:
2011 Hiding the Park
2012 From Here
2014 Metaphor or Sadness Inside Out
2021 The Metamorphosis of Birds
2023 Nocturne for a Forest
Editor:
2011 Hiding the Park
2012 From Here
2014 Metaphor or Sadness Inside Out
2021 The Metamorphosis of Birds
2023 Nocturne for a Forest
Producer:
2011 Hiding the Park
2012 From Here
2014 Metaphor or Sadness Inside Out
2021 The Metamorphosis of Birds
2023 Nocturne for a Forest
Screenplay:
2011 Hiding the Park
2012 From Here
2014 Metaphor or Sadness Inside Out
2021 The Metamorphosis of Birds
2023 Nocturne for a Forest
Writer:
2011 Hiding the Park
2012 From Here
2014 Metaphor or Sadness Inside Out
2021 The Metamorphosis of Birds
2023 Nocturne for a Forest
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.