Gerardo Olivares (b. 1964)

Birthplace:
Córdoba, Spain

Born:
January 1, 1964

Gerardo Olivares (born 1964) is a Spanish filmmaker and screenwriter. He is married with two children and lives in Madrid. He was the first Spanish man to win the Golden Spike at the prestigious Seminci film festival in Valladolid for his film "14 kilómetros". He received the 2019 Cinema for Peace Award for Justice for his film 'Two Catalonias'.  A tireless traveler, Olivares began to travel the world in 1987 while studying Information Science at the Complutense University of Madrid. At the age of twenty he borrowed a Vespa motorcycle from his brother and for four months traveled in the North Cape in Lapland, where he did his first reportage on the nomads who live beyond the Arctic Circle. Back in Madrid, the report was published in Los Aventureros (The Adventurer). Months later he started working under the direction of the journalist and writer Enrique Meneses, whom he has always considered his master.  A year later Olivares covered a good part of the Sahara with a Seat Panda, a desert he later crossed on multiple occasions. During this trip he began to mature what would be his first major documentary project, La Ruta de las Córdobas (The Cordobas Route), a trip from Alaska to Tierra del Fuego, following the 36 cities, towns and geographical features with the name of Cordoba. For a year and a half he traveled along the spine of the Americas in three all-terrain vehicles, and the result was a series of 8 episodes issued in 1992 by TVE with great ratings success.  Two years later, in 1994, Olivares encircled the continent of Africa by land, from Morocco to South Africa and then to Egypt, as Director of Ruta de los Exploradores (Path of the Explorers), co-produced by TVE. In 1997 he traveled across the Asian continent from Spain to Singapore in two trucks for the series Road to Samarkand, the most watched program of 2000 in TVE 2, winning the GECA award for a record audience.  In 2005, after a long career directing and writing documentaries, Olivares decided to jump into fiction with the help of producer Jose Maria Morales (Wanda Films) with La Gran final (The Great Match), shot in Mongolia, the Sahara and Brazilian Amazon. This film won several international awards and was selected to participate, among others, in the Berlin International Film Festival. The film was an official selection at the Copenhagen International Film Festival, the Galway Film Fleadh, the World Cinema Festival, Cap Ttown and the Desert Nights Filmfest, Rome. It was nominated for Best Film at the Malaga Spanish Film Festival.  In 2006 he wrote and directed 14 kilómetros, a film about the plight of African immigration that has won over 15 international awards, affirming him as one of the most committed filmmakers in the panorama of Spanish cinema. His 2010 feature film, Entrelobos (Among wolves), based on the remarkable story of Marcos Rodríguez Pantoja, has been one of the highest grossing Spanish films of 2010 with more than half a million viewers in theaters. It tells the true story of a young shepherd in a remote mountain area who befriends a pack of wolves and eventually becomes their leader.  Source: Article "Gerardo Olivares" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.