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Samuel Wright Smith

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Alias:
Sam Smith
Sam W Smith
Sam W. Smith
Sam Wright Smith
Samuel Smith
Samuel W Smith
Samuel W. Smith

Biography from TheMovieDB

Sam Smith is a photographer, filmmaker, cinematographer and visual artist located in Cincinnati, Ohio and New York, New York. Smith was surrounded by visual art from a young age, and it quickly became a basis of his identity. He has made it his goal to share images that are both personal and universal.  Smith is attending the prestigious New York University Tisch Film/TV program.

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Additional information:

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Film Production

Animation:
2018  Eztli
2021  Life Eternal
2021  That Gives/That Takes
2021  Transmissions
2023  The Balloonist

Animation Director:
2018  Eztli
2021  Life Eternal
2021  That Gives/That Takes
2021  Transmissions
2023  The Balloonist

Camera Operator:
2018  Eztli
2020  Our Lady of Loreto
2021  Life Eternal
2021  That Gives/That Takes
2021  Transmissions
2023  The Balloonist

Cinematography:
2017  Tick
2018  Eztli
2019  Red Ink
2020  Our Lady of Loreto
2021  Life Eternal
2021  That Gives/That Takes
2021  Transmissions
2023  The Balloonist

Color Grading:
2016  Images
2017  Tick
2018  Eztli
2019  Red Ink
2020  Our Lady of Loreto
2021  Life Eternal
2021  That Gives/That Takes
2021  Transmissions
2023  The Balloonist

Compositing Artist:
2016  Images
2017  Tick
2018  Eztli
2019  Red Ink
2020  Our Lady of Loreto
2021  Life Eternal
2021  That Gives/That Takes
2021  Transmissions
2023  The Balloonist

Director:
2016  Images
2017  Tick
2018  Eztli
2019  Red Ink
2020  Our Lady of Loreto
2021  Life Eternal
2021  That Gives/That Takes
2021  Transmissions
2023  Landline
2023  The Balloonist

Director of Photography:
2016  Images
2017  Tick
2017  Viceroy
2018  Eztli
2018  Good Kids
2019  Red Ink
2020  Our Lady of Loreto
2021  Life Eternal
2021  That Gives/That Takes
2021  Transmissions
2022  Crimson Ties
2023  Landline
2023  The Balloonist

Driver:
2016  Images
2017  Tick
2017  Viceroy
2018  Eztli
2018  Good Kids
2019  Red Ink
2020  Our Lady of Loreto
2021  Life Eternal
2021  That Gives/That Takes
2021  Transmissions
2022  Crimson Ties
2023  Landline
2023  The Balloonist

Editor:
2016  Images
2017  Tick
2017  Viceroy
2018  Eztli
2018  Good Kids
2019  Red Ink
2020  Our Lady of Loreto
2021  Life Eternal
2021  That Gives/That Takes
2021  Transmissions
2022  Crimson Ties
2023  Landline
2023  The Balloonist

Lighting Technician:
2016  Images
2017  Tick
2017  Viceroy
2018  Eztli
2018  Good Kids
2019  Red Ink
2020  Our Lady of Loreto
2021  Life Eternal
2021  That Gives/That Takes
2021  Transmissions
2022  Crimson Ties
2023  Landline
2023  The Balloonist

Sound:
2016  Images
2017  Tick
2017  Viceroy
2018  Eztli
2018  Good Kids
2019  Red Ink
2020  Our Lady of Loreto
2021  Life Eternal
2021  That Gives/That Takes
2021  Transmissions
2022  Crimson Ties
2023  Landline
2023  The Balloonist

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.