Dean Reed (1938-1986)

Alias:
Dean Cyril Reed

Birthplace:
Denver, Colorado, USA

Born:
September 22, 1938

Died:
June 13, 1986

Dean Reed was born September 22, 1938, in Denver Colorado. He went to Hollywood where he signed a record contract with Capitol Records in 1958, but his third single, "Our Summer Romance" was so popular in South America he went to tour there. More popular than Elvis Presley, he stayed to enjoy his incredible fame in Chile, Peru, Argentina. He made albums, starred in movies and had his own television show in Buenos Aires. He was known as Mr. Simpatia because he worked free in barrios and prisons and protested US policy, nuclear bomb tests etc. His politics moved to the left but he never joined the Communist party. He was deported from Argentina in 1966 and ended up in Rome, where he made "spaghetti westerns" for several years. He made his first concert tour of the Soviet Union in 1966 and became a mega star there and in Eastern Europe. He continually got into trouble with US State Department for protesting Vietnam War and attending International Peace Conferences. He moved to East Germany (GDR) in 1973, made numerous albums, starred in several films, and wrote and directed his own.  His last visit to the States in late 1985 encouraged him to dream of making a career for himself back home, especially if he could return with his current project in hand, a movie about the war between AIM and the FBI at Wounded Knee, 1973. A GDR/Soviet Union co-production, the film had taken years to get off the ground. Just days before shooting was due to start in the Crimea, Dean Reed's body was found in the lake near his home outside of East Berlin. He had been missing for several days. Many close to him in the GDR suspected suicide; his family and friends in America believed he was murdered.

Additional information:

The Search Form


Director:
1977  The Singer
1981  Sing, Cowboy, Sing

Writer:
1975  Blood Brothers
1977  The Singer
1981  Sing, Cowboy, Sing

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.