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Mine Pakel

Biography from TheMovieDB

Mine Pakel, who started her musical career by playing the violin at a young age, continued her musical career by focusing on classical music. She took classical music lessons in high school and at university. Her passion for cinema during her university years pushed her to study cinema simultaneously with the music. Then the movie enabled her to focus on the field of music. After these processes, she wanted to advance her career in the field of sound engineering.  After the University Innovative Design Academy Audio Production and Design training, she continued her Master's program at Bahçeşehir University Audio Technologies. While continuing her academic career with the thesis on sound installations, coding, audio visual, and spatial sound design, she also carried on her professional career with many films, documentaries, and video art. In addition to taking part in music projects as a composer, sound designer, and sound engineer, she proceeds her work in the fields of music production, the music industry, and sound installation.

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Film Production

ADR Recordist:
2021  Turkish Gothic: Portrait of a Family

Foley Artist:
2019  Belonging
2020  Leyla Once Again
2021  Turkish Gothic: Portrait of a Family

Foley Recordist:
2019  Belonging
2020  Leyla Once Again
2021  Turkish Gothic: Portrait of a Family

Music:
2019  Belonging
2020  A Sigmund Weinberg Docu-commentary
2020  Leyla Once Again
2021  Turkish Gothic: Portrait of a Family
2023  History of Turkish Horror Cinema I

Original Music Composer:
2019  Belonging
2019  There
2020  A Sigmund Weinberg Docu-commentary
2020  Leyla Once Again
2020  Mavzer
2020  Orchids in Fire
2021  Turkish Gothic: Portrait of a Family
2022  The Festival of Troubadours
2022  The Sheep
2023  History of Turkish Horror Cinema I
2024  Tomato, Pepper, Depression

Sound Designer:
2019  Belonging
2019  Black Sun
2019  Keeping the Bees
2019  There
2020  A Sigmund Weinberg Docu-commentary
2020  Anoush
2020  Black Box
2020  Forgiveness
2020  I'm Not Talking About That
2020  Impressions of a Summer
2020  Leyla Once Again
2020  Mavzer
2020  Orchids in Fire
2020  Penny Bank
2020  Venus in the Fog
2020  We Are a Family
2021  Corridor
2021  Her Şey Olması Gerektiği Gibi
2021  The Cage
2021  The Cemil Show
2021  The Second Night
2021  Turkish Gothic: Portrait of a Family
2021  You Me Lenin
2022  The Festival of Troubadours
2022  The Sheep
2023  Black Night
2023  History of Turkish Horror Cinema I
2024  Tomato, Pepper, Depression
????  Bomba

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.