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Mia Engberg (b. 1970)

Alias:
Eva Marie Engberg
Mia Engberg

Birthplace:
Stockholm, Sweden

Born:
September 26, 1970

Biography from TheMovieDB

Eva Marie 'Mia' Engberg, born September 26, 1970 in Stockholm, is a Swedish film director, screenwriter and producer. She is educated at the Dramatic Institute 1994-1997.  Engberg's half-hour-long documentary The Stars We Are was nominated for a Guldbagge 1998 in the category Best Short Film. She was the initiator and producer of the rewritten short films Dirty Diaries (2009). Engberg's "autodokumentär" Belleville Baby won the documentary film award at Tempo Documentary Festival 2013. At the festival she also received the Konstnärsnämndens Mai Zetterling scholarship. Belleville Baby was also named Best Documentary at Guldbaggegalan 2014.  Since autumn 2014, Engberg is a doctoral student in media at Stockholm's artistic college.  From Wikipedia, the free encyclopedia

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Additional information:

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Film Performances

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Film Production

Director:
1998  The Stars We Are
1999  Manhood
2002  Selma & Sofie
2003  Bitch & Butch
2005  165 Hässelby
2013  Belleville Baby
2019  Lucky One
2023  Hypermoon

Director of Photography:
1998  The Stars We Are
1999  Manhood
2002  Selma & Sofie
2003  Bitch & Butch
2005  165 Hässelby
2013  Belleville Baby
2019  Lucky One
2023  Hypermoon

Editor:
1998  The Stars We Are
1999  Manhood
2002  Selma & Sofie
2003  Bitch & Butch
2005  165 Hässelby
2013  Belleville Baby
2019  Lucky One
2023  Hypermoon

Producer:
1998  The Stars We Are
1999  Manhood
2002  Selma & Sofie
2003  Bitch & Butch
2005  165 Hässelby
2013  Belleville Baby
2019  Lucky One
2023  Hypermoon
2023  Labor

Writer:
1998  Fuck You, Fuck You Very Much
1998  The Stars We Are
1999  Manhood
2002  Selma & Sofie
2003  Bitch & Butch
2005  165 Hässelby
2013  Belleville Baby
2019  Lucky One
2023  Hypermoon
2023  Labor

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.