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Natalia Libet (b. 1972)

Alias:
Наталья Либет
Наталія Лібет

Birthplace:
Lviv, Ukraine

Born:
December 6, 1972

Biography from TheMovieDB

Natalia Libet has gained experience in coproduction, investment and finance while working for international companies primarily of the U.S. and German origin. Now, she works as a film producer with ESSE Production House and Digital Religion in Kyiv, Ukraine. In 2019-2021, she brought First Cut Lab to Kyiv; her first local initiative was with EAVE in Demand in 2017. She has had annual audits with Big 4; obtained an MBA with GPA: 4.00/4.00 in the U.S. in 2002; is a winner of 2000 Edmund Muskie/Freedom Support Act Graduate Fellowship Award, a member of Ukrainian Film Academy. Her selected filmography includes “Stop-Zemlia” (2021, 122’) fiction dir. Kateryna Gornostai, w. premiere - Berlinale Generation 14plus, Crystal Bear Youth Jury Award Berlinale Generation 14+ (as a producer); “Parthenon” (2019, 120’) fiction dir. Mantas Kvedaravicius Lithuania-Ukraine-France, w. premiere – the 34th Critics’ Week at the 76th Venice IFF (as a co-producer); “Anna”, 15’ fiction dir. Dekel Berenson Ukraine-UK-Israel, w. premiere - Shorts Competition at the 72th Cannes IFF, BIFA Best Short Award 2019 (as an executive producer).

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Film Production

Co-Producer:
2019  Parthenon

Executive Producer:
2019  Anna
2019  Parthenon
2023  Rule of Two Walls

Producer:
2018  Crocodile
2019  Anna
2019  Desaturated
2019  Giorgos and Polya
2019  Parthenon
2020  From Now On
2021  Phase
2022  Diary of a Bride of Christ
2022  Stop-Zemlia
2023  Rule of Two Walls
2023  Under the Wing of a Night
2024  After the Rain: Putin's Stolen Children Come Home
2024  Forever-Forever
????  Ashes Settling In Layers On The Surface
????  The Hunters and the Hunted

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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