George Arrendell (b. 1968)

Alias:
Georges Arrendell

Birthplace:
Antwerpen, Flanders, Belgium

Born:
October 22, 1968

George Arrendell was born in Antwerp in 1968, the elder son of a South American percussionist and a Belgian painter. He speaks fluent English, Dutch and French. Through the 1980s George made his pocket money as a breakdancer and rap artist and, after graduating from High School, he started working as a model in different parts of Europe. He had caught the acting bug while appearing in student drama productions and playing small roles in Belgian films and TV series, and decided that he wanted to do this for a living. In 1996 he enrolled at the Lee Strasberg Theatre and Film Institute in New York City. When he returned to Europe he had no difficulty finding television work in numerous productions, being the first and the best working Afro European actor in Belgium. George has worked in movies and television, including the plum role of Inspector Jimmy N'Tongo in Belgian's hit police series Zone Stad (Zone City), which was nominated at the Monte Carlo Television Festival of 2009. He has also appeared in British and Canadian film productions, among them 'Falling Through', 'Christie Malry's Own Double-Entry', 'High Speed', and 'She, Me and Her'. This was filmed on location in Luxembourg, where he was lucky enough to work with Roy Scheider, Peter Weller, Ben Cross and Nick Moran. George has studied Strasberg, Meisner and Checkhov, which he believes to be an interesting combination.

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.