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Toya Turner

Birthplace:
Chicago, Illinois, USA

Biography from TheMovieDB

Toya Turner is a Jamaican-American, who grew up in Chicago, Illinois. She is a proud student of the British American Drama Academy (BADA) at Oxford University.  Toya has honed her acting skills in Shakespearean classics including Olivia in Twelfth Night, Mercutio in Romeo & Juliet and Alonzo in The Tempest. She also developed a voiceover career with major brands such as McDonalds, Dove, Auto Zone, Walmart and Coca-Cola just to name a few.  Toya's first job on camera was working with Rosie O'Donnell & Ruby Dee in Sony Pictures Lifetime Movie America. She continued to build experience by starring in several independent films and then returned to television and showed off her improv skills on NBC's hit show "Chicago Fire" & Netflix’s "Easy".  Since finishing her program at BADA she has had huge success as a principal in several commercials. One being for McDonald's Super Bowl commercial campaign "Pay With Lovin'", where she was also made into a famous meme.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.