Mel Lisboa (b. 1982)

Alias:
Мел Лижбоа

Birthplace:
Porto Alegre, Rio Grande do Sul, Brazil

Born:
January 17, 1982

Mel Lisboa Alves is a Brazilian actress and presenter. She became known for the character Anita of Anita's Presence. became known for playing the title character in the miniseries Presença de Anita (2001).  Biography  She is the daughter of astrologer Cláudia Lisboa Alves and musician Bebeto Alves . She is the cousin of comedian Rafinha Bastos . She studied cinema at the Universidade Federal Fluminense (UFF), in Niterói , but dropped out of the course to pursue a career as an actress. She is not directly related to the Gaucho musician Nei Lisboa . [ 2 ] In 2009, the actress declared that she was an atheist in an interview with Tpm magazine. Career  She debuted as an actress in 2001, starring in the Rede Globo miniseries , Presença de Anita , playing Anita, a mysterious and seductive young woman. [ 4 ] Due to her character's great sexual appeal, she participated in a sensual shoot for the website Paparazzo . The miniseries earned an average of 30 ratings and was rebroadcast in full in 2002 on TV Globo. In 2002, in the soap opera Escolhas de Mulher , she played Gabriela, a young woman from the countryside and aspiring model. This time her character was not as successful, due to the fixed image of the previous character and the plot's low ratings. The actress, at the time, even realized that she had been dazzled after playing a prominent role, but after playing another with little acceptance, she matured. In 2003, he did his second sensual shoot. This time for Trip magazine . The following year she posed nude for the Brazilian edition of Playboy magazine , in its 29th anniversary edition. In the same year, after having signed a contract with SBT , the contract did not go through, she returned to Rede Globo and acted in the soap opera Como uma Onda , playing Lenita Paiva, a rich and spoiled girl. In 2006, she became a television presenter on the GNT /Rede Globo Sat channel and released the book Mundo Afora — Diário de Bordo de Mel Lisboa , [ 6 ] with the plot and photographs of her program. In 2007, she participated in the cast of the soap opera Sete Pecados , in which she played the character Carla, a young woman of humble origins and extremely ambitious with her dubious personality.  On April 1 , 2010 , she signed a contract with Rede Record [ 7 ] and the following year she starred in the miniseries Sansão e Dalila , playing Dalila , a seductive woman with a dubious character. Still in 2011, she participated in two more sensual shoots: In Inked magazine , she shows her tattoos and talks about her passion for them. In Maxim magazine , she shows that the lolita phase is literally behind her. She won some awards in her career, including the most important national cinema award, the Kikito , at the Gramado Festival , as best actress for her performance in Sonhos e Deseios , in 2006. In cinema, she participated in films such as A Fortune Teller ( The Fortune Teller ). 2003), The Wedding of Romeo and Juliet (2005), Dreams and Desires (2006), and Live (2008). In theater he participated in plays such as Há Vaga Para Moças de Fino Trato (2002), Confessões de Adolescente (2003), Brutal (2003), Luluzinhas (2003), Biting the Lips (2006), A Mulher do Candidato (2008), Cyrano (2009), After the Rain (2010) and Altered Women (2010/2011). In October 2012, she was hospitalized with an intestinal virus and had to cancel the show.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.