Andy Brewster

As a young up-and-coming independent director and producer, Andy has quickly established himself as a storyteller deeply interested in the personal, hidden motivations of what we do. As a director, his shorts have screened and won awards at festivals worldwide (After Yesterday, A Piacere) and he recently directed Caesura, Biola University's flagship "Biola Film" production of the fall 2019 semester. As a producer, he has worked with Coca-Cola and Regal Cinemas as a semi-finalist in their nationwide film school challenge, and he produced the feature film Rubaru (2020) by Marco Zambrana. As a film major at Biola University, Andy is dedicated to learning more about the art and business of filmmaking and discover and tell new stories that speak to the human condition.

Additional information:

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Director:
2017  After Yesterday
2017  Verto
2018  A Piacere
2020  Caesura

First Assistant Director:
2017  After Yesterday
2017  Verto
2018  A Piacere
2020  Caesura
2021  Rubaru

Producer:
2017  After Yesterday
2017  Verto
2018  A Piacere
2018  I Smell the Salt
2020  All is Calm
2020  An Ode to Solitude
2020  Caesura
2021  LIMINAL
2021  Rubaru

Screenplay:
2017  After Yesterday
2017  Verto
2018  A Piacere
2018  I Smell the Salt
2020  All is Calm
2020  An Ode to Solitude
2020  Caesura
2021  LIMINAL
2021  Rubaru

Second Assistant Director:
2017  After Yesterday
2017  Verto
2018  A Piacere
2018  I Smell the Salt
2020  All is Calm
2020  An Ode to Solitude
2020  Caesura
2021  LIMINAL
2021  Rubaru
2021  Satisfaction

Story:
2017  After Yesterday
2017  Verto
2018  A Piacere
2018  I Smell the Salt
2020  All is Calm
2020  An Ode to Solitude
2020  Caesura
2021  LIMINAL
2021  Rubaru
2021  Satisfaction

Writer:
2017  After Yesterday
2017  Verto
2018  A Piacere
2018  I Smell the Salt
2020  All is Calm
2020  An Ode to Solitude
2020  Caesura
2021  LIMINAL
2021  Rubaru
2021  Satisfaction

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.