Vandana Srinivasan (b. 1988)

Born:
May 22, 1988

Vandana Srinivasan is an Indian playback singer, working mainly as an independent singer and for the South Indian film industry especially kollywood.  Vandana began training in the Carnatic Classical music at an early age from her Guru, Mrs. Seetha Krishnan till she finished high school. She moved to Madras, India, in 2006 to major in Psychology at Women's Christian College (University of Madras). Here, she trained in the Hindustani Classical music under her Guru, Mrs. Tanushree Saha. She moved to London in 2009 to pursue a postgraduate degree in Organizational & Social Psychology from the London School of Economics & Political Science. She was exposed to various musical influences in London and she particularly enjoyed exploring Bangla music. Following her return to Madras in early 2011, she is currently establishing herself as an independent musician and a playback singer. She runs her collaboration initiative - Musicalorie Pruductions- and is actively involved in working with different artists. Vandana is married to Anand Pattathil, a business man from Cochin and is settled in Chennai.

Additional information:

The Search Form


Playback Singer:
2013  Paradesi
2014  Naan Sigappu Manithan
2015  Eetti
2016  Maruthu
2019  Natasaarvabhowma
2019  Thiruttukkalyanam
2020  Galtha
2020  Walter
2021  Annaatthe
2022  Etharkkum Thunindhavan
2023  Regina

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.