Chris Conrad (b. 1970)

Birthplace:
Fort Lauderdale, Florida, USA

Born:
June 30, 1970

Chris Conrad was born and raised in Ft. Lauderdale, Florida. He is the third out of four brothers - big brother Steve is a script writer, big brother Tim, baby brother Mike.  Always going for the sports, amongst others football, baseball, basketball, soccer, and judo.  Started performing in grade school, being the joker. Improvised a comedy skit in high school, which he followed by enrolling in Florida's Funniest Man competition during his sophomore year with his brother Mike - they won - $500 and a trip to New York City to open at the Improv.  After graduating high school, enrolled with Florida State University where his two older brothers, Tim and Steve, were also students. Signed up for an acting class during the freshman year, but was quickly turned off by the serious academic tone of the course and dropped out. His acting teacher persuaded him into returning to the acting profession.  Worked the campus radio while in college, a job he got through his borther Tim, who was the sports broadcaster. The job gave Chris another excellent outlet for his comedy.  Following his sophomore year, Chris moved to Chicago, where his brother Steve had moved to study at the Northwestern University, majoring in creative writing. Chris spent a year studying at the Piven Theatre Workshop then signed with an agent and landed his first acting role in the television movie, Mario and the Mob.  Later, he moved to Hollywood with Steve, who tried to sell his script Wrestling Ernest Hemingway. The screenplay became a very successful movie, and Chris himself started getting more jobs in the movies as well.  He started out with an episode of Raven and then in a small film called Star Food. He's also starring in an improv group with a friend, The Stick Men, in Los Angeles.  Kickboxing and wrestling since high school, Chris Conrad also trains "Machado Jiu-Jitsu", a Brazilian form of Jujitsu.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.