Robert Benjamin

He's and award-winning screenwriter, director, producer, and editor. From a young age, Robert Benjamin developed a love of film and storytelling. With a camcorder in hand, he made his first home movie at 6 years old, leading him into a life long career in entertainment. His writing, editing, and his musicianship all translate to his directing style and showcase what a creative Benjamin is. As a screenwriter, he takes his love and knowledge of cinema and channels it into a fresh perspective, delivering stories never seen before. He endeavors to not only surprise audiences with the depth of his characters, but the intricacy of each detail of plot. No detail is included without purpose in the worlds he creates.

Additional information:

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Additional Writing:
2019  Welcome to Acapulco

Colorist:
2018  Sparks!
2019  Welcome to Acapulco

Director:
2018  Sparks!
2019  Welcome to Acapulco
2021  Tenant

Editor:
2018  Sparks!
2019  Welcome to Acapulco
2020  Bloody Hell
2021  Tenant

Executive Producer:
2018  Sparks!
2019  Welcome to Acapulco
2020  Bloody Hell
2021  Tenant

Screenplay:
2018  Sparks!
2019  Welcome to Acapulco
2020  Bloody Hell
2021  Tenant

Visual Effects:
2018  Sparks!
2019  Welcome to Acapulco
2020  Bloody Hell
2021  Tenant

Writer:
2018  Sparks!
2019  Welcome to Acapulco
2020  Bloody Hell
2021  Tenant

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.