Karl Spiehs (1931-2022)

Alias:
Carl Spiehs

Birthplace:
Ternitz, Lower Austria, Austria

Born:
February 20, 1931

Died:
January 27, 2022

Karl Spiehs was an Austrian movie producer. With his movie production company LISA Film, he became one of the most prolific movie producers of the German-speaking world. The output of his company featured shallow comedies, raunchy sex movies, cheesy music films, but also exploitation films. Many of these films were slated by critics but enjoyed considerable commercial success. From the early 1990s onwards, he increasingly shifted the focus of his company from cinematic movies to made-for-tv productions.

Additional information:

The Search Form


Co-Producer:
1980  Devil Hunter

Executive Producer:
1962  Drei Liebesbriefe aus Tirol
1963  Das haben die Mädchen gern
1974  Julia
1980  Contamination
1980  Devil Hunter
1989  Silence Like Glass
2015  Österreich: Oben und Unten

Line Producer:
1962  Drei Liebesbriefe aus Tirol
1963  Das haben die Mädchen gern
1964  Frühstück mit dem Tod
1974  Julia
1979  The Shark Hunter
1980  Contamination
1980  Devil Hunter
1989  Silence Like Glass
2015  Österreich: Oben und Unten

Producer:
1962  Drei Liebesbriefe aus Tirol
1963  Das haben die Mädchen gern
1963  Sing, aber spiel nicht mit mir
1963  Unsere tollen Nichten
1964  Frühstück mit dem Tod
1964  I Learned It from Father
1964  Jetzt dreht die Welt sich nur um dich
1964  The Last Ride to Santa Cruz
1964  Unsere tollen Tanten in der Südsee
1966  Enter Inspector Maigret
1966  Hot Nights in Frankfurt
1966  How to Seduce a Playboy?
1966  Target for Killing
1966  The Fountain of Love
1966  The Poppy Is Also a Flower
1966  Where Are You Taking That Woman
1967  Heißes Pflaster Köln
1967  Heubodengeflüster
1967  Inn of the Gruesome Dolls
1967  Mittsommernacht
1968  Always Trouble with the Teachers
1968  Paradies der flotten Sünder
1968  Sixty Nine Games of Love
1969  Hilfe, ich liebe Zwillinge!
1970  Musik, Musik - da wackelt die Penne
1970  Wenn du bei mir bist
1970  When the Mad Aunts Arrive
1971  Tante Trude aus Buxtehude
1972  Bloody Friday
1972  Cry of the Black Wolves
1972  Immer Ärger mit Hochwürden
1972  Kinderarzt Dr. Fröhlich
1973  Hell Hounds of Alaska
1973  If Every Day Was Sunday
1973  Reigen
1974  Julia
1976  Everyone Dies Alone
1976  Vanessa
1977  Joy of Flying
1978  Summer Night Fever
1979  Cola, Candy, Chocolate
1979  Dracula Blows His Cool
1979  She's 19 and Ready
1979  The Shark Hunter
1980  Contamination
1980  Devil Hunter
1980  Keiner hat das Pferd geküsst
1980  Three Swedes on the Reeperbahn
1980  Wild and Beautiful on Ibiza
1981  Strike Back
1982  Banana Joe
1982  Crazy Jungle Adventure
1982  Piratensender Powerplay
1983  Das verrückte Strandhotel
1983  Die Supernasen
1983  Sunshine Reggae auf Ibiza
1984  Ein irres Feeling
1984  Mama Mia - Nur keine Panik
1984  Zwei Nasen tanken Super
1985  Coconuts
1985  Drei und eine halbe Portion
1985  The Beginner
1986  Die Schokoladenschnüffler
1987  Lethal Obsession
1987  Three Crazy Jerks
1988  Midnight Cop
1988  Starke Zeiten
1988  Three Crazy Jerks II
1989  Real Men Don't Eat Gummi Bears
1989  Silence Like Glass
1990  Harry and Harriet
1994  Das Paradies am Ende der Berge
1994  Mein Freund, der Lipizzaner
1995  Der schwarze Fluch
1995  Desperate Obsession
1995  Liebling, ich muß auf Geschäftsreise
1995  Unser Opa ist der Beste
1998  Fröhliche Chaoten
1999  Die blaue Kanone
2001  Herzensfeinde
2002  August der Glückliche
2004  The Return of the Dancing Master
2005  Die Liebe eines Priesters
2006  König der Herzen
2012  Oma wider Willen
2015  Österreich: Oben und Unten

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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