A work in constant progress (and occasional regress).
Alias:
Stu Goldsmith
Birthplace:
Bristol
Stuart Goldsmith is an English actor, stand-up comedian and former street performer. He has presented the Comedian's Comedian podcast since 2012. Goldsmith grew up in Bristol and trained at Circomedia circus school. He was a member of the Playbox Theatre Company youth theatre group in Warwick, and worked as a court jester at Warwick Castle. He began in street theatre as half of the comedy double act "Kiosk of Champions", with fellow stand-up Richard Sandling, where he "walked the tightrope eating a packet of crisps".[4] Under the name "Beautiful Stu", he came second in the Street Performance World Championship in 2008. On his street theatre work, he has said "If you can draw in the crowd at 9.45am in Covent Garden it teaches you to be funny." Goldsmith was a 2005 finalist in So You Think You're Funny, a 2006 finalist in Laughing Horse New Act of the Year, and came third in the Hackney Empire New Act of the Year. He was also a finalist in the BBC's Witty and Twisted competition. In 2011 Goldsmith competed in the ITV reality show Show Me the Funny, where he was eliminated in week 6. Goldsmith's 2010 Edinburgh show Stuart Goldsmith: The Reasonable Man received positive reviews, as did his follow-up 2011 tour Another Lovely Crisis. His 2012 Edinburgh show Prick was the subject of some controversy after the title was censored by the Edinburgh Fringe Guide. Goldsmith received generally positive reviews for his 2014 and 2015 Edinburgh shows, Extra Life, and An Hour, respectively. In 2012 Goldsmith launched a podcast - The Comedian's Comedian with Stuart Goldsmith - where in each episode he interviews a comedian about how they approach their profession. It published its 200th episode in March 2017.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.