A work in constant progress (and occasional regress).
Birthplace:
Scotland, UK
I am a Grassroots Marketing Coordinator and Social Media Executive working across the release of independent films in my area, and a long term freelancer with Birds Eye View to support its mission to *Reclaim The Frame*. I have experience with social media, grassroots marketing and events management and great contacts in my local area. I take pride in my ability to adapt quickly to new challenges and love making new connections with people to create action based results. I have also worked as a Production and Floor Runner on a variety of features, short films and commercials. Recently I worked closely with an award-winning director and producer team as a Casting PA and First Assistant Director on a project called Strong Is Better Than Angry for the Uncertain Kingdom. Since June 2021 I have worked closely with the exec producer of a Warner Brothers film due to shoot in Glasgow, and as of August I have been assistant to the directors of this high budget film, assisting with script meetings, coordinating storyboard artists, all manner of scheduling across global time-frames, and the myriad other duties that assisting a directing due entails. I am also keen to expand my network and consider roles in both production and film marketing as well as connecting with film-making creatives to create development opportunities.
First Assistant Director:
2019 Crypsis
Floor Runner:
2019 Crypsis
2021 Then Came You
Researcher:
2019 A Gorbal's Story
2019 Crypsis
2021 Then Came You
Second Assistant Director:
2019 A Gorbal's Story
2019 Crypsis
2021 The Wolf Suit
2021 Then Came You
Thanks:
2019 A Gorbal's Story
2019 Crypsis
2019 Look Up
2021 The Wolf Suit
2021 Then Came You
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.