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Luc Plamondon (b. 1942)

Birthplace:
Saint-Raymond, Québec, Canada

Born:
March 2, 1942

Biography from TheMovieDB

Luc Plamondon, hailing from Saint-Raymond-de-Portneuf, Quebec, discovered his passion for songwriting during his university years in the 1960s. Inspired by works like The Three Penny Opera, he aimed to craft musicals. Witnessing the success of Hair in New York, he envisioned creating rock operas. Returning to Montreal, he collaborated with artists like Céline Dion, Diane Dufresne, and Robert Charlebois. His partnership with Michel Berger birthed Starmania in 1978, a triumph that saw multiple runs globally, captivating over 3 million viewers and selling 5 million albums. Plamondon's repertoire includes acclaimed works like La légende de Jimmy (1990) and Notre Dame de Paris (1998), based on Victor Hugo's novel. Recognized for his contributions, he holds prestigious honours from Quebec and France, along with six Felix Awards. Plamondon is also known as a francophone nationalist and Quebec sovereigntist. He is opposed to Internet music piracy. He is the brother of Louis Plamondon, a long-serving member of the House of Commons of Canada.

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Additional information:

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Film Performances

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Film Production

Creator:
1998  Notre Dame de Paris

Lyricist:
1998  Notre Dame de Paris
2024  Plamondon: des mots qui résonnent

Sound:
1978  Starmania 78 - le best of
1998  Notre Dame de Paris
2024  Plamondon: des mots qui résonnent

Writer:
1978  Starmania 78 - le best of
1979  Starmania
1989  Starmania
1998  Notre Dame de Paris
2002  Notre Dame de Paris - Live Arena di Verona
2017  Notre Dame de Paris
2024  Plamondon: des mots qui résonnent

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.