Luca Mazzara

Birthplace:
Rome - Italy

Luca Mazzara born in Rome. He is a professional photographer, movie director, video artist and poet.  Inherits the passion for the photography from his father Gaetano that was an amateur photographer and poet. Luca makes his first shots with a "land camera 500" of the Polaroid. Primarily a portraitist, he also devotes him jerky type documentaristic and naturalistic, careful to the experimentations and the expressive possibilities of the photographic language. In the last period his poetic directs him through a project which concerns the human face approached to elements of contrast. The years immediately after the high school are an important period, years that bring him to discover the great passion for the cinema and the recitation. In 1994 he frequents a course of recitation at the school of theater "Circo a Vapore" directed by Emmanuel Gallot-Gavallée. He enrolled at the Faculty of Literature and Philosophy and graduated in "Performing Arts" in the Cinema sector at La Sapienza University of Rome. Contemporary to the university starts one of the most important phases for his formation: he begins to write subjects for the cinema, to work on some sets and to deal of movie direction; it will be Rome the place in which he starts assiduously work as director. After the degree he achieves a master in cinema distribution at the Anica. In 2012 he make one's debut with the short film "Incanto Vivo" and in 2013 he realizes other two works: "Too Late" and "Privacy." Then subsequently with "Svegliati Alice!" and the last one "Arancina Meccanica." He realized some video projects that in the specific are a small experiments in key oniric and surreal. In 2016 at the Festival of the Cinema in Venice on the occasion of the “Premio Bookciak, Azione!” he has received a special mention for his short "Operazione Avalanche." At the moment he is busy to write a screen-play for his first feature film and to complete a documentary on the world of dance.

Additional information:

The Search Form


Director:
????  CHARITY

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.