A work in constant progress (and occasional regress).
Birthplace:
Paimpol, France
Born:
October 7, 1975
Delphine Deloget (born 7 October, 1975; Paimpol) is a French director and documentary filmmaker. She notably won the Albert-Londres Prize in 2015 in the audiovisual category. Her first fiction feature film, All to Play For, is presented at the 2023 Cannes Film Festival (Un certain regard selection).
Director:
2003 June 1944, the D-Day Landings
2008 No London Today
2012 Santa Claus and the Cowboy
2014 Under the Skin: A Journey Into Savagery
2019 Tiger
2021 The Man Who Was Looking For His Son
2023 All to Play For
Director of Photography:
2003 June 1944, the D-Day Landings
2008 No London Today
2012 Santa Claus and the Cowboy
2014 Under the Skin: A Journey Into Savagery
2019 Tiger
2021 The Man Who Was Looking For His Son
2023 All to Play For
Editor:
2003 June 1944, the D-Day Landings
2007 Andrew - Sauveteur de baleines en Tasmanie
2008 No London Today
2012 Santa Claus and the Cowboy
2014 Under the Skin: A Journey Into Savagery
2019 Tiger
2021 The Man Who Was Looking For His Son
2023 All to Play For
Screenplay:
2003 June 1944, the D-Day Landings
2007 Andrew - Sauveteur de baleines en Tasmanie
2008 No London Today
2012 Santa Claus and the Cowboy
2014 Under the Skin: A Journey Into Savagery
2019 Tiger
2021 The Man Who Was Looking For His Son
2023 All to Play For
Writer:
2003 June 1944, the D-Day Landings
2007 Andrew - Sauveteur de baleines en Tasmanie
2008 No London Today
2012 Santa Claus and the Cowboy
2014 Under the Skin: A Journey Into Savagery
2019 Tiger
2021 The Man Who Was Looking For His Son
2023 All to Play For
Creator:
2018 L'Amour à l'Oeuvre
Director:
1997 La case de l'oncle Doc
2005 Toutes les télés du monde
2017 Instantané d'histoire
2018 L'Amour à l'Oeuvre
Screenplay:
1997 La case de l'oncle Doc
2005 Toutes les télés du monde
2017 Instantané d'histoire
2018 L'Amour à l'Oeuvre
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.