Bilal Berreni [ Zoo Project ] (1990-2013)

Alias:
Zoo Project
Zoo Project
بلال بريني

Birthplace:
Paris, Ile-de-France, France

Born:
June 23, 1990

Died:
July 29, 2013

Zoo Project, pseudonym of Bilal Berreni, is a French urban painter, born June 23, 1990 in Paris and murdered on July 29, 2013 in Detroit (United States) at the age of 23. His work was first exhibited on the walls of northeast Paris, then in Tunisia, just after the Tunisian revolution of 2010-2011, where it was particularly noticed.  Bilal Berreni was born in the 10th arrondissement of Paris on June 23, 19902 to a mother from Périgord and a father of Algerian origin, Mourad Berreni, director and director of the Théâtre de l'Echo in the 20th arrondissement. He has an older brother Marwan, an actor, and is the grandson of Charles Sarlandie, chief of staff of the Resistance within the Violette Battalion in Saint-Mesmin, in Dordogne. A Parisian teenager from the 20th arrondissement, Bilal Berreni began painting walls in his neighborhood at the age of 15. At 18, he created the name “Zoo Project”. At the Boulle school, he took a baccalaureate in applied arts then joined the École Duperré where he obtained a BTS in graphic communication. He paints large black and white frescoes on the walls of Parisian buildings and in Sénéchas in the Cévennes which he signs Zoo Project, the name he wishes to give to a collective of which he will remain the only member. He has a strong interest in the work of Ernest Pignon-Ernest but also in more traditional painters like Gustave Courbet or Ingres.  Zoo Project gained notoriety in 2011 thanks to his work in Tunisia where he painted life-size portraits of victims of the revolution on cardboard which he exhibited in the streets of Tunis: for him, “Drawing is no longer an onanist act , navel-gazing, but a political, civic, citizen action, in touch with the world.” After Tunis, he reached the eastern border of Tunisia and the Choucha camp where he settled and shared for a month the life of thousands of refugees who had fled the Libyan civil war and painted their portraits on white canvas banners. Back in Paris, Zoo Project finds a certain solitude. He then returned for several months to eastern Europe and Russia in search of the "ghosts of the former USSR" and produced, in collaboration with director Antoine Page, a documentary combining cinema and drawing, "C' It's Good Enough to Be Mad." In this film, we see Zoo Project painting on the walls of a farm, on containers or even on an old boat in the dried-up Aral Sea, bringing the crew of the abandoned ship back to life. It's Good Enough to Be Crazy was released in 2013 in a few theaters and screened at festivals.  In July 2013, Zoo Project was found dead, shot to death at the age of 23, in an abandoned building in Detroit in the United States, but his body was not identified until March 2014: he was murdered on the 29th. July by a group of young men aged 17 to 20 who killed him to steal his money. The murderer and his accomplices were arrested by the Detroit police on September 3, 2014 and were sentenced by the courts to several decades in prison during trials held in 2015 and 2016.

Additional information:

The Search Form


Graphic Designer:
2018  C'est assez bien d'être fou

Writer:
2018  C'est assez bien d'être fou

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.