Home

Ahmad Ahmadi (b. 1980)

Born:
December 24, 1980

Biography from TheMovieDB

He was started his career in the cinema industry at 1992 as a backstage cinematograph in the Judgement Day movie, whose director was Shahram Asadi. From 1995 he officially started to work in Iranian cinema photography with the movie Shade to Shade whose director was Ali Jakan, and recognized as the youngest Iranian cinema photographer in the mass media and specialized journals. Besides photography, he was working in the short and experimental cinema as a cameraman. He filmed his first short movie as a director of photography in Nader, son of the sword, whose director was Mohsen Amir yousefi and produced by community of Young Iranians’ cinema. Since 2006 he has actively started to work as a director of photography in the Islamic Republic of Iran’s cinema and Broadcasting. Currently, besides working in photography, he is actively engaged in producing long and short films. One of his recent movies as a producer is Roshanak, whose director is Hosein Ghanaaat.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

  • 2015  Sonita
    Himself, construction worker

Click the heading above to show or hide the list.

Film Production

Cinematography:
2014  Red Carpet
2017  Two Brides

Producer:
2014  Red Carpet
2017  Two Brides

Still Photographer:
2004  Coma
2008  The Guest
2014  Red Carpet
2017  Two Brides

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.