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Alexis Jacknow

Biography from TheMovieDB

Alexis Jacknow is a Los Angeles based, multidisciplinary storyteller. She recently completed her feature film, Clock (2023), a psychological thriller starring Dianna Agron and Melora Hardin.  Her debut short film, Again, world premiered in competition at the Tribeca Film Festival and was distributed by Amazon. Her other shorts include Clock (Hulu), Costume Change (FX/Freeform), and Overnight (Netflix) which garnered her a WGA Award Nomination for Short Form Original.  She is in development on her drama, The Villager (2019 IFP Week No Borders Selection), as well as her horror feature, The Blindings with 21 Laps. She is also producing the upcoming horror feature, Ice Cream Man.  Alexis has over a decade of theater directing experience, during which she has helmed National Tours, World Premieres, and Audie Award winning radio plays. She sits on faculty at UCLA's Department of Theater.  As an actor, her career spans film, television, theater, and dozens of national commercials. She holds a B.F.A. in Acting from New York University's Tisch School of the Arts and is a proud member of the WGA, SAG/AFTRA, AEA, and SDC.

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Additional information:

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Film Performances

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Film Production

Director:
2017  Again
2020  Clock
2023  Clock

Producer:
2017  Again
2020  Clock
2023  Clock
2023  Fudgie Freddie

Screenplay:
2017  Again
2020  Clock
2023  Clock
2023  Fudgie Freddie

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TV Performances

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TV Production

Director:
2018  Love Daily

Writer:
2018  Love Daily

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.