Diana Bracho (b. 1944)

Birthplace:
Mexico City, Distrito Federal, Mexico

Born:
December 12, 1944

Diana Bracho (born Diana Bracho Bordes on December 12, 1944 in Mexico City, Mexico) is a Mexican actress.   Diana Bracho is the daughter of actor/director Julio Bracho, the niece of actress Andrea Palma and the aunt of actor Julio Bracho (named after his grandfather). She married Dr. Felipe Bracho, a university professor. They have a daughter, Andrea. She married, secondly, to Rafael Cortes, an artist, designer and painter.  She made her film debut as a child actress in two of her father's films: San Felipe (1949) and Immaculate Conception(1950). She studied Philosophy and Letters in New York. She debuted professionally on stage in the play Israfel by Abelardo Rodríguez alongside Sergio Bustamante. Her television debut was in 1973. Diana Bracho won the Silver Ariel award twice, the first time in 1973. She won her second Silver Ariel for El infierno, de todos tan temído and was nominated for Best Actress for Letters from Marusia (1976) and Entre Pancho Villa y una mujer desnuda (1996). On August 6, 2002 she was appointed president of theAcademia Mexicana de Artes y Ciencias Cinematográficas. She has been involved in co-productions with countries such asThe Chess Player (France); Edmilson (Germany), The Dogs of War (Britain), The Aleph (Italy), The legend of the Drum (Spain), Antonieta (Spain) and On Wings of Eagles (United States). She starred in several television series and soap operas, notably as Leonora Navarro in the telenovela Cuna de lobos (1986), produced by Carlos Tellez. She also played the villainous Evangelina Vizcaíno in Cadenas de Amargura (1991), produced by Carlos Sotomayor. She is set to play the role of the black widow in the third season of Mujeres Asesinas. Though Diana was confirmed to star in Salvador Mejía's new telenovela: La tempestad, she rejected her participation.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.