Nicolas Perge

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Nicolas Perge is a French writer, director and producer working for Beau Bizarre Production. He is the co-author of Agatha, es-tu là ? published by Éditions du Masque in 2017, and the author of Lise Deharme, cygne noir published by JC Lattès in 2023.

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Director:
2015  Mylène Farmer : sur les pas d'une icône
2018  Jenifer : Face à ma vie
2018  Muriel Robin, oser être soi...
2019  Les 30 chansons des Enfoirés que vous n'oublierez jamais
2019  Les Vieilles Canailles : Histoire d'un concert mythique
2021  Les 30 chansons de Goldman que vous n'oublierez jamais
2021  Louis de Funès, Créature/Créateur
2021  Pierre Palmade : l'homme qui aime beaucoup l'humour
2022  Daniel Craig - Permis de jouer
2024  Sur les traces du règne animal

Director of Photography:
2013  Body Double 30
2014  Body Double 33
2015  Body Double 34
2015  Mylène Farmer : sur les pas d'une icône
2018  Jenifer : Face à ma vie
2018  Muriel Robin, oser être soi...
2019  Les 30 chansons des Enfoirés que vous n'oublierez jamais
2019  Les Vieilles Canailles : Histoire d'un concert mythique
2021  Les 30 chansons de Goldman que vous n'oublierez jamais
2021  Louis de Funès, Créature/Créateur
2021  Pierre Palmade : l'homme qui aime beaucoup l'humour
2022  Daniel Craig - Permis de jouer
2024  Sur les traces du règne animal

Production Manager:
2013  Body Double 30
2014  Body Double 33
2015  Body Double 34
2015  Mylène Farmer : sur les pas d'une icône
2017  Body Double 32
2018  Jenifer : Face à ma vie
2018  Muriel Robin, oser être soi...
2019  Les 30 chansons des Enfoirés que vous n'oublierez jamais
2019  Les Vieilles Canailles : Histoire d'un concert mythique
2021  Les 30 chansons de Goldman que vous n'oublierez jamais
2021  Louis de Funès, Créature/Créateur
2021  Pierre Palmade : l'homme qui aime beaucoup l'humour
2022  Daniel Craig - Permis de jouer
2024  Sur les traces du règne animal

Writer:
2013  Body Double 30
2014  Body Double 33
2015  Body Double 34
2015  Mylène Farmer : sur les pas d'une icône
2017  Body Double 32
2018  Jenifer : Face à ma vie
2018  Muriel Robin, oser être soi...
2019  Les 30 chansons des Enfoirés que vous n'oublierez jamais
2019  Les Vieilles Canailles : Histoire d'un concert mythique
2021  Les 30 chansons de Goldman que vous n'oublierez jamais
2021  Louis de Funès, Créature/Créateur
2021  Pierre Palmade : l'homme qui aime beaucoup l'humour
2022  Daniel Craig - Permis de jouer
2024  Sur les traces du règne animal

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.