A work in constant progress (and occasional regress).
Assistant Sound Editor:
2022 We
Dialogue Editor:
2020 Cuties
2022 The Tasting
2022 We
2025 Le Répondeur
Mixing Engineer:
2020 Ana and the Flames
2020 Cuties
2022 The Tasting
2022 We
2025 Le Répondeur
Sound:
2016 Somewhere
2019 Lucia in Limbo
2019 Malgré eux
2020 Ana and the Flames
2020 Cuties
2022 Donovan Escapes
2022 The Tasting
2022 We
2025 Le Répondeur
Sound Designer:
2016 Somewhere
2019 Aylin
2019 Lucia in Limbo
2019 Malgré eux
2020 Ana and the Flames
2020 Cuties
2022 Donovan Escapes
2022 The Tasting
2022 We
2024 After
2025 Le Répondeur
Sound Editor:
2016 Somewhere
2018 Entre les lignes
2018 Hearths
2018 Les coudes serrés
2019 Aylin
2019 Lucia in Limbo
2019 Malgré eux
2020 Ana and the Flames
2020 Cuties
2020 Gasoil
2020 The Fantastic Journey of Margot & Marguerite
2021 Abada
2021 Dorlis
2022 Brûlé neige
2022 Donovan Escapes
2022 Kraken
2022 Out of the Blue
2022 Patouille and the Parachute Seeds
2022 The Tasting
2022 We
2023 Jeanne du Barry
2023 Scarlet
2024 After
2024 Back to Alexandria
2024 Yuck!
2025 Le Répondeur
???? Les Jours les plus intenses de Guido Kalb
Sound Mixer:
2016 Somewhere
2018 Entre les lignes
2018 Hearths
2018 Les coudes serrés
2019 Aylin
2019 Lucia in Limbo
2019 Malgré eux
2020 Ana and the Flames
2020 Cuties
2020 Gasoil
2020 The Fantastic Journey of Margot & Marguerite
2021 Abada
2021 Churchill, Polar Bear Town
2021 Dorlis
2022 Brûlé neige
2022 Donovan Escapes
2022 Kraken
2022 Out of the Blue
2022 Patouille and the Parachute Seeds
2022 The Tasting
2022 We
2023 Jeanne du Barry
2023 Scarlet
2024 After
2024 Back to Alexandria
2024 Yuck!
2025 Le Répondeur
???? Les Jours les plus intenses de Guido Kalb
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.