Naresh Iyer (b. 1981)

Alias:
நரேஷ் ஐயர்

Birthplace:
Mumbai, Maharashtra, India

Born:
January 3, 1981

Naresh Iyer is a playback singer from Mumbai, India, born to a Tamil speaking family from Mumbai. He speaks fluent Tamil, Hindi and Marathi while he understands Malayalam. Naresh Iyer has rendered film songs in several Indian languages and has several chart hits to his credit. His rendition of "Roobaroo" from the movie Rang De Basanti composed by A. R. Rahman topped the music charts for many weeks in 2006 and won him the National Film Award for Best Male Playback Singer. He also won the Filmfare award in the R.D. Burman Musical Talent category. He is one of the few playback singers to have won both a Filmfare Award and a National Award in his professional debut singing year.

Additional information:

The Search Form


Playback Singer:
2006  Saravana
2007  Partner
2007  Sivaji: The Boss
2008  Aegan
2008  Yuvvraaj
2010  Angadi Theru
2010  Enthiran
2010  Moscowin Kavery
2010  Raavan
2010  Uthama Puthiran
2010  Vinnaithaandi Varuvaayaa
2011  Dil Toh Baccha Hai Ji
2012  Ekk Deewana Tha
2012  Routine Love Story
2013  Samar
2013  Theeya Velai Seiyyanum Kumaru
2014  Thirudan Police
2017  Mersal
2018  Chi La Sow
2019  Dear Comrade
2019  Neeya 2
2019  Sagaa
2019  Sivappu Manjal Pachai
2020  Johaar
2020  Walter
2022  Sanjeevan
2024  Grrr..

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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