A work in constant progress (and occasional regress).
Birthplace:
Seattle, Washington, USA
Taylor Camarot is an independent cinematographer based in Austin, TX. He graduated from Sedona Film School in 2012 with a certificate in narrative filmmaking. Taylor is also an accomplished camera operator, owning a complete cinema camera package. He is experienced with most digital cameras, including RED, Blackmagic, Sony, Canon, etc., having specialized in award winning films and commercials, personally winning Best Cinematography in 2013.
Assistant Camera:
2017 THESE COLORS DON'T RUN
Cinematography:
2017 THESE COLORS DON'T RUN
2024 Burleson
???? The Ugly Cat
Director of Photography:
2017 Pretty Bad Shape
2017 THESE COLORS DON'T RUN
2017 Toni the Triangle
2018 Clamps
2018 How Do You Type a Broken Heart
2018 The Folkloristas
2018 You and Yours
2019 West of Leona
2020 Seek
2020 The Pizzagate Massacre
2021 Malignant
2021 Space Case
2021 With Pleasure
2023 Labor + Justice
2024 Burleson
???? The Ugly Cat
???? You're Invited to Tuscan's 5th Birthday Party!
First Assistant Camera:
2017 Pretty Bad Shape
2017 THESE COLORS DON'T RUN
2017 Toni the Triangle
2018 Clamps
2018 How Do You Type a Broken Heart
2018 The Folkloristas
2018 You and Yours
2019 Mercy Black
2019 West of Leona
2020 Seek
2020 The Pizzagate Massacre
2021 Malignant
2021 Space Case
2021 With Pleasure
2023 Labor + Justice
2024 Burleson
???? The Ugly Cat
???? You're Invited to Tuscan's 5th Birthday Party!
Producer:
2017 Pretty Bad Shape
2017 THESE COLORS DON'T RUN
2017 Toni the Triangle
2018 Clamps
2018 How Do You Type a Broken Heart
2018 The Folkloristas
2018 You and Yours
2019 Mercy Black
2019 West of Leona
2020 Seek
2020 The Pizzagate Massacre
2021 Malignant
2021 Space Case
2021 With Pleasure
2023 Labor + Justice
2024 Burleson
???? The Ugly Cat
???? You're Invited to Tuscan's 5th Birthday Party!
Director of Photography:
2020 Growing Apart
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.