A work in constant progress (and occasional regress).
Birthplace:
Osaka, Japan
Born:
February 7, 1981
Born in 1981 in Osaka prefecture, Japan, Katayama Shinzo worked as an assistant director for Nobuhiro Yamashita before becoming an assistant director for Bong Joon Ho on two of his projects: Tokyo! (2008) and Mother (2009). His debut feature, Siblings of the Cape (2019), won the Best Picture – Feature Length at Skip City International D-Cinema Festival and was invited to numerous international film festivals including Göteborg Film Festival, Geneva International Film Festival and Taipei Film Festival.
Assistant Director:
2008  Tokyo!
2015  Hana's Miso Soup
Director:
2008  Tokyo!
2015  Hana's Miso Soup
2019  Siblings of the Cape
2020  The Man Who Was There
2022  Missing
2023  Life of Mariko in Kabukicho
2024  Lust in the Rain
Editor:
2008  Tokyo!
2015  Hana's Miso Soup
2019  Siblings of the Cape
2020  The Man Who Was There
2022  Missing
2023  Life of Mariko in Kabukicho
2024  Lust in the Rain
Producer:
2008  Tokyo!
2015  Hana's Miso Soup
2019  Siblings of the Cape
2020  The Man Who Was There
2022  Missing
2023  Life of Mariko in Kabukicho
2024  Lust in the Rain
Screenplay:
2008  Tokyo!
2015  Hana's Miso Soup
2019  Siblings of the Cape
2020  The Man Who Was There
2022  Missing
2023  Life of Mariko in Kabukicho
2024  Lust in the Rain
Third Assistant Director:
2008  Tokyo!
2009  Mother
2015  Hana's Miso Soup
2019  Siblings of the Cape
2020  The Man Who Was There
2022  Missing
2023  Life of Mariko in Kabukicho
2024  Lust in the Rain
Assistant Director:
2018  Majimuri Academy
Creator:
2018  Majimuri Academy
2022  Gannibal
Director:
2018  Majimuri Academy
2021  The Hovering Blade
2022  Gannibal
????  Human Vapor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.