Kelsey Taylor

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Kelsey Taylor was raised in the wild of Eastern Washington and moved to Los Angeles to attend Loyola Marymount University where she graduated Cum Laude from the school’s honors program, earning a Bachelor of Arts in Film Production and minors in both Film Studies and Music. She began her entertainment career as a cinematographer and camera assistant, which led to an intimate understanding of how to capture images. She soon transitioned into directing and has since built a diverse portfolio of both commercial and narrative work and is a member of the DGA.  Kelsey’s short ALIEN: SPECIMEN, which expanded upon the universe of Ridley Scott’s seminal classic ALIEN expanded, was made as part of a joint initiative between 20th Century Fox and Tongal and has more than 5 million views.  In the fall of 2018, Kelsey’s debut feature screenplay A LONG WAY HOME (retitled TO KILL A WOLF) was honored as Quarterfinalist in the prestigious Academy Nicholl Fellowship Screenwriting Competition. Her script THE BAD THINGS is currently a semi finalist in the same competition.  AdAge ranked Kelsey’s “Make It One To Remember” Holiday spot for PayPal #2 of 2020’s top 10 Holiday Ads. In contrast to this heartwarming story of a young ballerina and her father connecting , Kelsey also completed a sass meets style comedic campaign for up and coming brand, Kenzzi— at home laser hair removal that works. This work won her a Bronze in the L.A. Addy Awards. Her other commercial endeavors include such brands as Volkswagen, eBay, American Express, and Proctor & Gamble.

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Assistant Camera:
2014  Frankenstein, MD

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.