A work in constant progress (and occasional regress).
Birthplace:
Palu, Indonesia
Born:
July 21, 1998
Sarah Adilah was born in Palu on 21st of July, 1998. Since young, she has loved reading, writing, painting, and photographing before she explore filmmaking autodidactically. She eventually found out that film is a medium to explore her knowledge and interests. Her first short fiction film at Senior High School titled "Cermin" (2015) had screened and received national awards. She decided to enter film school at Multimedia Nusantara University by schoolarship to learn more about films. She actives directing short films on campus and non-campus. At 2018, her latest short fiction film titled "Sandy Sugar" selected for Short Corner at Festival De Cannes. And her short documentary film titled "A Step of Death" is nominated by Indonesian Film Festival as best short documentary category. 2019 is her third year at film school and "Boncengan" will be produced soon as her thesis fiction film. Also she produced a documentary about mitigation disaster in Palu titled "Living On The Top of Fault" and will be finished in year 2020.
Director:
2018 Sandy Sugar
2019 Becoming Girl
2020 Last Ride of The Day
Editor:
2018 Sandy Sugar
2019 Becoming Girl
2020 Last Ride of The Day
2021 Egg
Producer:
2018 Sandy Sugar
2019 Becoming Girl
2020 Last Ride of The Day
2021 Egg
Production Design:
2018 Sandy Sugar
2019 Becoming Girl
2020 Last Ride of The Day
2021 Egg
Second Assistant Director:
2018 Sandy Sugar
2019 Becoming Girl
2019 Mountain Song
2020 Last Ride of The Day
2021 Egg
Sound Post Supervisor:
2018 Sandy Sugar
2019 Becoming Girl
2019 Mountain Song
2020 Last Ride of The Day
2021 Egg
2021 Tour de Serpong
Writer:
2018 Sandy Sugar
2019 Becoming Girl
2019 Mountain Song
2020 Last Ride of The Day
2021 Egg
2021 Tour de Serpong
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.