Home

Sarah Adilah (b. 1998)

Birthplace:
Palu, Indonesia

Born:
July 21, 1998

Biography from TheMovieDB

Sarah Adilah was born in Palu on 21st of July, 1998. Since young, she has loved reading, writing, painting, and photographing before she explore filmmaking autodidactically. She eventually found out that film is a medium to explore her knowledge and interests. Her first short fiction film at Senior High School titled "Cermin" (2015) had screened and received national awards. She decided to enter film school at Multimedia Nusantara University by schoolarship to learn more about films.  She actives directing short films on campus and non-campus. At 2018, her latest short fiction film titled "Sandy Sugar" selected for Short Corner at Festival De Cannes. And her short documentary film titled "A Step of Death" is nominated by Indonesian Film Festival as best short documentary category. 2019 is her third year at film school and "Boncengan" will be produced soon as her thesis fiction film. Also she produced a documentary about mitigation disaster in Palu titled "Living On The Top of Fault" and will be finished in year 2020.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Director:
2018  Sandy Sugar
2019  Becoming Girl
2020  Last Ride of The Day

Editor:
2018  Sandy Sugar
2019  Becoming Girl
2020  Last Ride of The Day
2021  Egg

Producer:
2018  Sandy Sugar
2019  Becoming Girl
2020  Last Ride of The Day
2021  Egg

Production Design:
2018  Sandy Sugar
2019  Becoming Girl
2020  Last Ride of The Day
2021  Egg

Second Assistant Director:
2018  Sandy Sugar
2019  Becoming Girl
2019  Mountain Song
2020  Last Ride of The Day
2021  Egg

Sound Post Supervisor:
2018  Sandy Sugar
2019  Becoming Girl
2019  Mountain Song
2020  Last Ride of The Day
2021  Egg
2021  Tour de Serpong

Writer:
2018  Sandy Sugar
2019  Becoming Girl
2019  Mountain Song
2020  Last Ride of The Day
2021  Egg
2021  Tour de Serpong

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.