A work in constant progress (and occasional regress).
Alias:
Matías Valdés Lawrence
ADR & Dubbing:
2012 Roman's Circuit
Sound:
2012 Roman's Circuit
2012 The Fern's Army
2021 CAM: Liberated a nation
Sound Designer:
2012 Las cosas como son
2012 Roman's Circuit
2012 The Fern's Army
2014 Illiterate
2015 Family Holidays
2020 El sabio de la tribu
2021 CAM: Liberated a nation
Sound Director:
2012 Las cosas como son
2012 Roman's Circuit
2012 The Fern's Army
2014 Illiterate
2015 Family Holidays
2020 El sabio de la tribu
2021 CAM: Liberated a nation
Sound Editor:
2010 Drama
2011 My Last Round
2012 Las cosas como son
2012 Roman's Circuit
2012 The Fern's Army
2014 Illiterate
2015 Family Holidays
2020 El sabio de la tribu
2021 CAM: Liberated a nation
Sound Effects Editor:
2010 Drama
2010 Post Mortem
2011 My Last Round
2012 Las cosas como son
2012 Roman's Circuit
2012 The Fern's Army
2014 Illiterate
2015 Family Holidays
2020 El sabio de la tribu
2021 CAM: Liberated a nation
Sound Mix Technician:
2010 Drama
2010 Post Mortem
2011 My Last Round
2012 Las cosas como son
2012 Roman's Circuit
2012 The Fern's Army
2014 Illiterate
2015 Family Holidays
2017 Damn Kids
2020 El sabio de la tribu
2021 CAM: Liberated a nation
Sound Mixer:
2010 Drama
2010 Post Mortem
2011 My Last Round
2012 Las cosas como son
2012 Roman's Circuit
2012 The Fern's Army
2014 Illiterate
2015 Family Holidays
2017 Damn Kids
2020 El sabio de la tribu
2021 CAM: Liberated a nation
Sound Recordist:
2010 Drama
2010 Post Mortem
2011 My Last Round
2012 Las cosas como son
2012 Roman's Circuit
2012 The Fern's Army
2014 Buscando Isla de Pascua, la película perdida
2014 Illiterate
2015 Family Holidays
2017 Damn Kids
2020 El sabio de la tribu
2021 CAM: Liberated a nation
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.