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Désirée Nosbusch (b. 1965)

Alias:
Desirée Nosbusch-Becker
Désirée Becker
Ντεζιρέ Μπέκερ
Ντεζιρέ Νοσμπούς

Birthplace:
Esch-sur-Alzette, Luxembourg

Born:
January 14, 1965

Biography from TheMovieDB

Désirée Nosbusch (born January 14, 1965) is a television presenter and actress. She was born in Esch-sur-Alzette, Luxembourg, and has one Luxembourgish parent and one Italian parent. In the 1980s she lived in Manhattan in New York City, and from the 1990s to 2008 she lived in Los Angeles, California. Nosbusch speaks Luxembourgish, German, French, Italian and English. She has acted in both French-language and German-language films and television productions since her mid teens for example she was a member of the youth drama group of the Lycée Hubert Clément of Esch-sur-Alzette (Luxembourg), and in at least one Italian language film. She presented the Eurovision Song Contest 1984 in Luxembourg & hosted a kid's version of Ruck Zuck called "Kinder Ruck Zuck". Nosbusch is also a singer. In 1984 she recorded a duet with Austrian singer Falco entitled "Kann es Liebe sein?".  Description above from the Wikipedia article A. R. Désirée Nosbusch, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Performances

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Film Production

Co-Producer:
2019  Girls with Balls

Director:
2014  Succès Fox
2019  Girls with Balls
2025  Poison

Producer:
2014  Succès Fox
2019  Flatland
2019  Girls with Balls
2019  Sawah
2025  Poison
????  Stargazer

Writer:
2014  Succès Fox
2019  Flatland
2019  Girls with Balls
2019  Sawah
2025  Poison
????  Stargazer

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TV Performances

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About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.