A work in constant progress (and occasional regress).
Assistant Director:
1979 Smash - Gefahr aus der Unendlichkeit
Director:
1979 Smash - Gefahr aus der Unendlichkeit
2001 Holiday Affair
2005 Mörder in Weiß - Der Tod lauert im OP
2016 Rosamunde Pilcher: Lizenz zum Seitensprung
Editor:
1979 Smash - Gefahr aus der Unendlichkeit
1983 Alleingang
2001 Holiday Affair
2005 Mörder in Weiß - Der Tod lauert im OP
2016 Rosamunde Pilcher: Lizenz zum Seitensprung
Executive Producer:
1979 Smash - Gefahr aus der Unendlichkeit
1983 Alleingang
1987 Ghost Chase
2001 Holiday Affair
2005 Mörder in Weiß - Der Tod lauert im OP
2016 Rosamunde Pilcher: Lizenz zum Seitensprung
Production Manager:
1979 Smash - Gefahr aus der Unendlichkeit
1983 Alleingang
1986 Flight North
1987 Ghost Chase
2001 Holiday Affair
2005 Mörder in Weiß - Der Tod lauert im OP
2016 Rosamunde Pilcher: Lizenz zum Seitensprung
Sound:
1979 Smash - Gefahr aus der Unendlichkeit
1980 Verlieben vielleicht
1983 Alleingang
1986 Flight North
1987 Ghost Chase
2001 Holiday Affair
2005 Mörder in Weiß - Der Tod lauert im OP
2016 Rosamunde Pilcher: Lizenz zum Seitensprung
Writer:
1979 Smash - Gefahr aus der Unendlichkeit
1980 Verlieben vielleicht
1983 Alleingang
1986 Flight North
1987 Ghost Chase
2001 Holiday Affair
2005 Mörder in Weiß - Der Tod lauert im OP
2016 Rosamunde Pilcher: Lizenz zum Seitensprung
Writers' Assistant:
1979 Smash - Gefahr aus der Unendlichkeit
1980 Verlieben vielleicht
1983 Alleingang
1986 Flight North
1987 Ghost Chase
2001 Holiday Affair
2005 Mörder in Weiß - Der Tod lauert im OP
2016 Rosamunde Pilcher: Lizenz zum Seitensprung
Director:
2007 Beutolomäus und der doppelte Weihnachtsmann
2009 Klinik am Alex
2019 Racko: No Better Friend
Producer:
2003 Die ultimative Chartshow
2007 Beutolomäus und der doppelte Weihnachtsmann
2009 Klinik am Alex
2019 Racko: No Better Friend
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.