Home

Ryan Rapsys (b. 1980)

Birthplace:
Duluth, Minnesota, USA

Born:
December 3, 1980

Biography from TheMovieDB

Ryan Rapsys is a Los Angeles-based film composer and electronic music producer. He scored the film Little Pink House (2017), starring Oscar-nominated actress Catherine Keener and Emmy-nominated actress Jeanne Tripplehorn. He also scored the documentary Can We Take a Joke? (2015), featuring Gilbert Gottfried, Penn Jillette and Adam Carolla. His music has been used in Dateline NBC (1992) and Today (1952), among many others.  Rapsys's composing style mixes elements of classical, experimental, ambient and electronic music to create unique, hybrid compositions that focus on very specific and subtle emotions. He's has also released electronic music under the aliases Transistorface, Microquasar and Pineriver. Rapsys also composes classical concert music.  (2016) Located in Los Angeles with his wife, writer Christine Rapsys, and dog, Lily, Ryan Rapsys continues to compose and arrange music for film, documentary and commercial projects as well as for various production music libraries.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Music:
2020  Bombardier Blood
2020  Like Nothing Happened
2021  Girl Trip
2022  What is a Woman?

Original Music Composer:
2016  Can We Take a Joke?
2018  Little Pink House
2020  Bombardier Blood
2020  Like Nothing Happened
2021  Girl Trip
2022  What is a Woman?

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.