Home

Alison Stolpa

Alias:
Allison Stolpa

Biography from TheMovieDB

Alison Stolpa moved to LA after graduating with an MA in Music Business Studies from the University of Westminster (London), redirecting her superhuman ability to effortlessly memorize song lyrics and album credits toward learning her lines.  As a teen, indie darling Parker Posey stole her heart in Party Girl - and Alison has followed a similar career path ever since, with the majority of her roles falling into two buckets: the hapless, sarcastic rock 'n' roll gal and the powerful yet unpredictable smartest person in the room. In a recent credit, I'll Be Around (2020), she portrayed an over-the-top synth player desperate to get onto the bill for the hottest post-punk music festival in the world (or in her world). The flick garnered the Best Indie Film Award at the Hollywood Reel Independent Film Festival.  A recovering record store clerk and cheesemonger, she is developing a short film about the horrors of online wellness programs, a web series about the challenges of starting a cult for business (AND pleasure!), and a feature film about lust, boredom, and obsession in the LA music scene.  She wants you to know that she skipped a grade in high school French class, possesses a truly dazzling collection of vintage fake fur coats, and hasn't killed a houseplant for at least six months now.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.