A work in constant progress (and occasional regress).
Alias:
中村裕树
Birthplace:
Kumamoto, Japan
Gaffer:
1993  Crepe
1993  Dying at a Hospital
1995  The Tokyo Siblings
1996  Tokiwa: The Manga Apartment
2002  Sinking into the Moon
2004  The Lakeside Murder Case
2005  My God, My God, Why Hast Thou Forsaken Me?
2005  Spring Snow
2007  Kaidan
2008  Death Note: L Change the WorLd
2011  Patisserie Coin De Rue
2014  My Pretend Girlfriend
2014  Silver Spoon
2016  Aroused by Gymnopedies
2016  Rage
2019  Matinee
2020  Theatre: A Love Story
2022  Wandering
2023  Revolver LILY
2025  Kokuho
Lighting Director:
1993  Crepe
1993  Dying at a Hospital
1995  Love Letter
1995  The Tokyo Siblings
1996  Tokiwa: The Manga Apartment
2002  Miki Nakatani: AIR POCKET
2002  Sinking into the Moon
2004  The Lakeside Murder Case
2005  My God, My God, Why Hast Thou Forsaken Me?
2005  Spring Snow
2007  Kaidan
2008  Death Note: L Change the WorLd
2010  Norwegian Wood
2011  Patisserie Coin De Rue
2014  My Pretend Girlfriend
2014  Silver Spoon
2016  Aroused by Gymnopedies
2016  Rage
2019  Matinee
2020  Theatre: A Love Story
2022  Wandering
2023  Revolver LILY
2025  Kokuho
Lighting Technician:
1993  Crepe
1993  Dying at a Hospital
1995  Love Letter
1995  The Tokyo Siblings
1996  Swallowtail Butterfly
1996  Tokiwa: The Manga Apartment
2002  Miki Nakatani: AIR POCKET
2002  Sinking into the Moon
2004  The Lakeside Murder Case
2005  My God, My God, Why Hast Thou Forsaken Me?
2005  Spring Snow
2007  Kaidan
2008  Death Note: L Change the WorLd
2009  Gravity's Clowns
2010  Norwegian Wood
2011  Patisserie Coin De Rue
2014  My Pretend Girlfriend
2014  Silver Spoon
2016  Aroused by Gymnopedies
2016  Rage
2019  Matinee
2020  Theatre: A Love Story
2022  Wandering
2023  Revolver LILY
2025  Kokuho
Lighting Design:
2024  Tokyo Swindlers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.