Vidar Grande

Vidar Grande is a Norwegian sound designer. Since graduating from Vancouver Film School in 2011, Vidar has worked actively in the movie industry in Vancouver and Oslo, gaining a lot of experience as a sound designer on feature films, commercials and virtual reality projects.

Additional information:

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Assistant Dialogue Editor:
2013  Suddenly

Sound Designer:
2013  Suddenly
2018  Mobile
2018  Utøya: July 22
2019  Forgotten Christmas
2022  Blasted
2022  Just Super

Sound Editor:
2013  Suddenly
2014  Burnout
2015  Air
2015  Louder Than Bombs
2015  Women in Oversized Men's Shirts
2016  Santa Swap: Merry Christmas Mr. Andersen
2017  Hunting Flies
2018  Mobile
2018  Utøya: July 22
2019  Forgotten Christmas
2022  Blasted
2022  Just Super

Sound Effects:
2013  Suddenly
2014  Burnout
2015  Air
2015  Louder Than Bombs
2015  Women in Oversized Men's Shirts
2016  Mr. Death
2016  Santa Swap: Merry Christmas Mr. Andersen
2017  Hunting Flies
2018  Mobile
2018  Utøya: July 22
2019  Forgotten Christmas
2022  Blasted
2022  Just Super

Sound Effects Editor:
2013  Suddenly
2014  Burnout
2015  Air
2015  Louder Than Bombs
2015  Women in Oversized Men's Shirts
2016  Mr. Death
2016  Santa Swap: Merry Christmas Mr. Andersen
2017  Hunting Flies
2017  Thelma
2018  Mobile
2018  Utøya: July 22
2019  Forgotten Christmas
2022  Blasted
2022  Just Super

Sound Re-Recording Mixer:
2013  Suddenly
2014  Burnout
2015  Air
2015  Louder Than Bombs
2015  Women in Oversized Men's Shirts
2016  Mr. Death
2016  Santa Swap: Merry Christmas Mr. Andersen
2017  Hunting Flies
2017  Thelma
2018  Mobile
2018  Utøya: July 22
2019  Forgotten Christmas
2022  Blasted
2022  Just Super

Supervising Sound Editor:
2013  Suddenly
2014  Burnout
2015  Air
2015  Louder Than Bombs
2015  Women in Oversized Men's Shirts
2016  Mr. Death
2016  Santa Swap: Merry Christmas Mr. Andersen
2017  Hunting Flies
2017  Thelma
2018  Mobile
2018  Utøya: July 22
2019  Forgotten Christmas
2020  Mortal
2022  Blasted
2022  Just Super

Sound Designer:
2020  Bloodride

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.