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Chloé Galibert-Laîné (b. 1992)

Birthplace:
France

Born:
January 1, 1992

Biography from TheMovieDB

Chloé Galibert-Laîné (1992, France) is a researcher and filmmaker. They are currently finishing a PhD in the arts at the École normale supérieure de Paris. In addition, they teach theory classes and artistic workshops on film and media at several institutions across Europe, including the Royal Academy of Art in The Hague and Johannes Gutenberg University. Their work mainly explores the intersection between cinema and online media. Galibert-Laîné has directed several award-winning short films and stage productions, and their video essays on film and media are regularly screened in academic contexts and at film festivals. They often work together with filmmaker and media artist Kevin B. Lee; they have presented their collaborative works at IFFR, True/False Film Festival, Open City Documentary Film Festival, Camden International Film Festival and London Essay Film Festival as well as art venues such as the Ars Electronica Festival and the WRO Media Art Biennale.

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Additional information:

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Film Performances

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Film Production

Director:
2015  The Burrow
2017  Bottled Songs: My Crush Was a Superstar
2017  Dupieux / Haneke - an essay on metacinema
2017  Peeping Ruth
2017  The Eye Was in the Tomb and Stared at Daney
2017  The Human, The Machine, and Spike Jonze
2017  Why Framing Matters in Movies
2018  Bottled Songs 3 & 4
2018  Flânerie 2.0
2018  Planning Unexpected Encounters: the Making of Route One USA by Robert Kramer
2018  Reading Binging Benning
2019  Re-enacting the Future
2019  Watching the Pain of Others
2020  A very long exposure time
2020  Bottled Songs 1 & 2
2020  Bottled Songs: The Observer
2020  Forensickness
2021  Bottled Songs 1-4
2023  Geomarkr
2023  I Would Like to Rage

Director of Photography:
2015  The Burrow
2017  Bottled Songs: My Crush Was a Superstar
2017  Dupieux / Haneke - an essay on metacinema
2017  Peeping Ruth
2017  The Eye Was in the Tomb and Stared at Daney
2017  The Human, The Machine, and Spike Jonze
2017  Why Framing Matters in Movies
2018  Bottled Songs 3 & 4
2018  Flânerie 2.0
2018  Planning Unexpected Encounters: the Making of Route One USA by Robert Kramer
2018  Reading Binging Benning
2019  Re-enacting the Future
2019  Watching the Pain of Others
2020  A very long exposure time
2020  Bottled Songs 1 & 2
2020  Bottled Songs: The Observer
2020  Forensickness
2021  Bottled Songs 1-4
2023  Geomarkr
2023  I Would Like to Rage

Editor:
2015  The Burrow
2017  Bottled Songs: My Crush Was a Superstar
2017  Dupieux / Haneke - an essay on metacinema
2017  Peeping Ruth
2017  The Eye Was in the Tomb and Stared at Daney
2017  The Human, The Machine, and Spike Jonze
2017  Why Framing Matters in Movies
2018  Bottled Songs 3 & 4
2018  Flânerie 2.0
2018  Planning Unexpected Encounters: the Making of Route One USA by Robert Kramer
2018  Reading Binging Benning
2019  Re-enacting the Future
2019  Watching the Pain of Others
2020  A very long exposure time
2020  Bottled Songs 1 & 2
2020  Bottled Songs: The Observer
2020  Forensickness
2021  Bottled Songs 1-4
2023  Geomarkr
2023  I Would Like to Rage

Producer:
2015  The Burrow
2017  Bottled Songs: My Crush Was a Superstar
2017  Dupieux / Haneke - an essay on metacinema
2017  Peeping Ruth
2017  The Eye Was in the Tomb and Stared at Daney
2017  The Human, The Machine, and Spike Jonze
2017  Why Framing Matters in Movies
2018  Bottled Songs 3 & 4
2018  Flânerie 2.0
2018  Planning Unexpected Encounters: the Making of Route One USA by Robert Kramer
2018  Reading Binging Benning
2019  Re-enacting the Future
2019  Watching the Pain of Others
2020  A very long exposure time
2020  Bottled Songs 1 & 2
2020  Bottled Songs: The Observer
2020  Forensickness
2021  Bottled Songs 1-4
2023  Geomarkr
2023  I Would Like to Rage

Production Design:
2015  The Burrow
2017  Bottled Songs: My Crush Was a Superstar
2017  Dupieux / Haneke - an essay on metacinema
2017  Peeping Ruth
2017  The Eye Was in the Tomb and Stared at Daney
2017  The Human, The Machine, and Spike Jonze
2017  Why Framing Matters in Movies
2018  Bottled Songs 3 & 4
2018  Flânerie 2.0
2018  Planning Unexpected Encounters: the Making of Route One USA by Robert Kramer
2018  Reading Binging Benning
2019  Re-enacting the Future
2019  Watching the Pain of Others
2020  A very long exposure time
2020  Bottled Songs 1 & 2
2020  Bottled Songs: The Observer
2020  Forensickness
2021  Bottled Songs 1-4
2023  Geomarkr
2023  I Would Like to Rage

Sound Designer:
2015  The Burrow
2017  Bottled Songs: My Crush Was a Superstar
2017  Dupieux / Haneke - an essay on metacinema
2017  Peeping Ruth
2017  The Eye Was in the Tomb and Stared at Daney
2017  The Human, The Machine, and Spike Jonze
2017  Why Framing Matters in Movies
2018  Bottled Songs 3 & 4
2018  Flânerie 2.0
2018  Planning Unexpected Encounters: the Making of Route One USA by Robert Kramer
2018  Reading Binging Benning
2019  Re-enacting the Future
2019  Watching the Pain of Others
2020  A very long exposure time
2020  Bottled Songs 1 & 2
2020  Bottled Songs: The Observer
2020  Forensickness
2021  Bottled Songs 1-4
2023  Geomarkr
2023  I Would Like to Rage

Writer:
2015  The Burrow
2017  Bottled Songs: My Crush Was a Superstar
2017  Dupieux / Haneke - an essay on metacinema
2017  Peeping Ruth
2017  The Eye Was in the Tomb and Stared at Daney
2017  The Human, The Machine, and Spike Jonze
2017  Why Framing Matters in Movies
2018  Bottled Songs 3 & 4
2018  Flânerie 2.0
2018  Planning Unexpected Encounters: the Making of Route One USA by Robert Kramer
2018  Reading Binging Benning
2019  Re-enacting the Future
2019  Watching the Pain of Others
2020  A very long exposure time
2020  Bottled Songs 1 & 2
2020  Bottled Songs: The Observer
2020  Forensickness
2021  Bottled Songs 1-4
2023  Geomarkr
2023  I Would Like to Rage

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