A work in constant progress (and occasional regress).
Stunt Coordinator:
2015 Selective Listening
Stunt Double:
2005 The Descent
2008 Eden Lake
2015 Selective Listening
Stunt Driver:
2005 The Descent
2008 Eden Lake
2011 Killer Elite
2015 Selective Listening
Stunts:
1990 Demon Wind
1992 976-EVIL II
2005 The Descent
2006 Children of Men
2006 Notes on a Scandal
2007 28 Weeks Later
2008 Eden Lake
2008 Quantum of Solace
2011 Captain America: The First Avenger
2011 Killer Elite
2013 Fast & Furious 6
2013 In Fear
2013 RED 2
2015 Pan
2015 Selective Listening
2015 The Man from U.N.C.L.E.
2016 The Conjuring 2
2017 Murder on the Orient Express
2017 The Foreigner
2018 Juliet, Naked
2018 Jurassic World: Fallen Kingdom
2019 Fast & Furious Presents: Hobbs & Shaw
2020 Dolittle
2021 Cruella
2022 Doctor Strange in the Multiverse of Madness
Stunts:
2010 Downton Abbey
2011 Black Mirror
2011 Game of Thrones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.