Kevin Lambert

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Editor:
2019  The House Is Alive: Constructing 'Crimson Peak'

Executive Producer:
2017  A Letter to Castro
2017  Ding Dong, You're Dead! The Making of "House"
2017  Home Deadly Home: The Making of "House IV"
2017  It's Getting Weirder! The Making of "House II"
2017  Junichiro Hayashi: Creepy Images
2017  Kiyoshi Kurosawa: Broken Circuits
2017  The Key to 'The Apartment'
2018  Maelstrom: The Odyssey of Waterworld
2019  A Vicious Circle
2019  American Frontiers: Anthony Mann at Universal
2019  Circumnavigating Ring
2019  Mark of The Beast: The Legacy of the Universal Werewolf
2019  The House Is Alive: Constructing 'Crimson Peak'
2019  The Ring Legacy
2019  Wares of the Wolf
2020  Hollywood of the North
2020  No Turning Back: Scoring Silent Running
2021  It's a Madcap World: The Making of an Unfinished Film
2021  Two Men Alone
2022  Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
2023  The Final Game of Death
2024  The Last Day

Producer:
2017  A Letter to Castro
2017  Ding Dong, You're Dead! The Making of "House"
2017  Home Deadly Home: The Making of "House IV"
2017  It's Getting Weirder! The Making of "House II"
2017  Junichiro Hayashi: Creepy Images
2017  Kiyoshi Kurosawa: Broken Circuits
2017  The Key to 'The Apartment'
2017  The Killing Floor
2018  Maelstrom: The Odyssey of Waterworld
2019  A Vicious Circle
2019  American Frontiers: Anthony Mann at Universal
2019  Circumnavigating Ring
2019  Mark of The Beast: The Legacy of the Universal Werewolf
2019  The House Is Alive: Constructing 'Crimson Peak'
2019  The Ring Legacy
2019  Wares of the Wolf
2020  Hollywood of the North
2020  No Turning Back: Scoring Silent Running
2021  It's a Madcap World: The Making of an Unfinished Film
2021  Two Men Alone
2022  Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
2023  The Final Game of Death
2024  The Last Day

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.