Jack Cummings (1905-1989)

Birthplace:
New Brunswick, Canada

Born:
February 16, 1905

Died:
April 28, 1989

From Wikipedia, the free encyclopedia  John "Jack" Cummings (February 16, 1905 – April 28, 1989) was an American film producer and director. He was the second husband of Betty Kern, daughter of Jerome Kern.  Cummings spent most of his career at his uncle Louis B. Mayer's studio, Metro-Goldwyn-Mayer, where he began work in the 1920s. Mayer started his nephew out as an office boy and expected him to work his way up through the ranks.  Cummings became a staff producer at MGM in 1934, where he worked in the B-feature unit for two years. In 1936, he produced the extravagant Cole Porter musical Born to Dance, which established his reputation as a respected producer. Cummings remained at MGM even after his uncle was fired from the studio in 1951, working with talent such as the Marx Brothers, Red Skelton, Esther Williams, and Fred Astaire and producing some of the era's best-known musicals, including 1953's Kiss Me Kate and Seven Brides for Seven Brothers in 1954, for which he received an Academy Award nomination. He left MGM to become an independent producer affiliated with Twentieth Century-Fox and produced the 1959 remake of The Blue Angel and the 1960 movie version of the Abe Burrows-Cole Porter Broadway musical Can-Can. In 1964, he returned to MGM one last time to produce the Elvis Presley musical Viva Las Vegas. Other credits included Easy to Wed, It Happened in Brooklyn, Three Little Words, The Last Time I Saw Paris, Interrupted Melody, and The Teahouse of the August Moon.  Jack Cummings was the son of Ida Mayer Cummings, sister of Louis B Mayer. He had two sisters, Ruth (married to film director Roy Rowland) and Mitzi (married to film producer Sol Baer Fielding), as well as a younger half brother Leonard 'Sonny' Cummings. Mr. Cummings was survived by his four daughters, Julie Cummings Siff, of Manhattan, Kathy Cummings St. Aubin, of Los Angeles, Linda Kern Cummings, of Danville, Ky., and Carla Luisa Cummings, of Los Angeles.

Additional information:

The Search Form


Creator:
????  Los tres chiflados

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.